Big Chrizzle Productions

Music Producer/Mixing Engineer

3 Reviews (1 Verified)
Big Chrizzle Productions on SoundBetter

Chris "Big Chrizzle" Dunston aka "Chrizzle" is an accomplished Producer, songwriter, engineer, and musician. He is a polished, experienced musician proficient in keys and sax, as well as composing and orchestrating major level quality productions. He has produced songs for many regional artists and has had music featured on MTV, TV, and Radio.

Our team is comprised of a diverse group of professionals linked by a strong bond and passion to create earth shattering music. We can best be described as "the guys who are here that you go to L.A. or New York for" to get "that sound". We put 110% into each and every project we take on, and cater to the specific needs of each unique artist. We are devoted to getting the most out of the artists we work with, and are relentless in our pursuit towards making amazing, soul quenching music as well as delivering music that is innovative, fresh, and competitive.

Chrizzle is a native Texan with a musical sound from another planet at times. His versatility and humility allows him to relate to any musical style or artist. "I always strive to be the best, and the most rewarding feeling for me is taking an artist and improving on the foundation they have already laid down. I love taking on challenges and creating new sounds to provide shock and awe to the masses. I believe success is not settling for mediocre. All that matters is what comes out of those speakers when you #PRESSPLAY! #BEASTIN

Click the 'Contact' above to get in touch. Looking forward to hearing from you.

3 Reviews - 1 Repeat Client

Endorse Big Chrizzle Productions
  1. Review by Hayden C.

    Extremely talented, extremely professional, and easy to work with. Highly recommend if you're looking for anything in the domain of production. Lastly, the communication and punctuality on his end just makes the entire process feel efficient and progressive.

  2. Review by Chris Andrews
    check_circleVerified (Client)

    Great contact and client. Looking forward to working with him more on future projects. Communication was awesome on this and the material came in on time where I could meet my timeline for him. We even had time for any recalls if needed.

  3. Review by Yonni
    by Yonni
    check_circleVerified (Client)

    Dope record! And nice cat! Recommend

Interview with Big Chrizzle Productions

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: I loved working on the Mayo The 1st project. it was refreshing to have someone so serious and humble come into the studio with an open mind and TRUST THE PROCESS! We worked on about 8 tracks overall, but the journey brought us 3 amazing singles! It made me excited and happy to see how excited the client was! Makes my job as a producer, more like a dream maker, most rewarding!

  3. Q: What other musicians or music production professionals inspire you?

  4. A: Rodney Jerkins, Max Martin, Timbaland, Babyface, Jimmy Jam and Terry Lewis, Stargate, Noah "40" Shebib, Tim Kelly & Bob Robinson, Diane Warren, David Foster, Michael Jackson, Metro Boomin

  5. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  6. A: Cakewalk Sonar Platinum, Roland JV2080, Slate VMS, Brainworx Console E, Slate Everything bundle

  7. Q: Tell us about your studio setup.

  8. A: I am running two computers networked through Vienna Ensemble. My primary DAW is Cakewalk Sonar Platinum (Been a user for over 20 years). I get everything into the system via an analog signal chain and mix exclusively In the Box. Hardware Synths: Roland Fantom-X (Fully Expanded), Roland Fantom-G, Roland JV2080(expanded), Yamaha Motif Rack ES Soft Synths: Native Instruments Komplete, Maschine, Spectrasonincs Omnisphere 2.0, Electrax, Gladiator, Nemesis, Nexus, Spire, RealGuitar, Real Strat, Sylenth, Zebra, Cakewalk Zeta+, Rapture Pro, Alchemy, Synth Squad, Sampletank 3, Miroslav Philharmonik 2.0, ACE Recording Hardware Mics: Shure KSM44, AKG C214, Shure SM58, Rode NT1, CAD Trion 8000, M-Audio Sputnik, M-Audio Luna Preamps & Compressors: Avalon 737, RNC Compressor Front End and Monitoring: Lucid 9624 A/D Converters, M-Audio Delta 1010 (2), Nytek Patchbay, Mogami Cabling, Presonus Central Station, JBL LSR4326 w/ Sub Plugins: Slate (VCC, VBC, VMR, VTM), Waves Gold, Waves SSL, UAD, Soundtoys, IK Multimedia, Fab Filter Pro-Q 2

  9. Q: What's the biggest misconception about what you do?

  10. A: That it's easy, anyone can do it "if they have the gear", and you don't have to study.

  11. Q: What questions do you ask prospective clients?

  12. A: What is your budget? What genre of music do you identify with? What is the primary area of focus for your music/career? What topics, messages do you want to convey in your music? What style of song are you wanting to create (Upbeat, Ballad, Club, Trap, Piano Only, etc.) Who are your competitors? What do you plan to do with the finish product?

  13. Q: What advice do you have for a customer looking to hire a provider like you?

  14. A: Be professional in your approach,know what you want, and don't be afraid to ask questions. Music is a timely business, so be direct and concise with your communication. Lend us your trust, and we will elevate your career.

  15. Q: What was your career path? How long have you been doing this?

  16. A: My career path was going to school, receiving my bachelors and masters degree all the while learning on my own how to compose, record, mix, and master music. I started in high school making "beats" using a Yamaha PSR220 Keyboard, Cakewalk Home Studio and a soundblaster card. I started playing piano and sax at church at the age of 15. When I got to college, I studied and saved up for a Roland XP-60. After that I got to work with Lakrea Clark, who was the number one unsigned artist ( back in 2004. I worked on music for several MTV shows, as well as local artists. I then connected with Win Wilford (CBS Records, Jackson 5) and began doing a few demos for his artists. I also worked on records for an artist signed to Daryl "GI" Jackson from the multi-platinum group H-town's label. I currently am working with Andrew Lane o Drew Right (Hannah Montana, High School Musical, Keith Sweat, Mary J. Blige, Toni Braxton) on his artist, Simply Rayne's debut album.

  17. Q: What are you working on at the moment?

  18. A: I am currently working with Mayo The 1st, Maleia, Tim Kitzrow aka "The Voice of NBA Jam", Andrew Lane (Hannah Montana, High School Musical, Keith Sweat, Mary J. Blidge, Toni Braxton) of Drew Right Music, San Antonio Spurs Zone Jingle, Bambu, Brandon Jinx, G.I. from the legendary group H-Town, and Dom

  19. Q: Analog or digital and why?

  20. A: Analog Front End for getting hardware and vocals into the computer, because analog seemingly adds a character on hardware vocal that can't be duplicated going straight in. Piano sounds always sound better coming from a hardware synth. Digital for soft synths and mixing because of the flexibility and high sonic quality of plugins today. My productions sound like they were made in a multi-million dollar facility.

  21. Q: What's your 'promise' to your clients?

  22. A: To give 1000% into their project, deliver something that is professional, high quality, and competitive. Your music should be able to be slid into rotation without anyone batting an eye. We take pride in giving you our best!

  23. Q: What do you like most about your job?

  24. A: Being able to work with different people, helping them realize their dreams, and seeing them smile!

  25. Q: What questions do customers most commonly ask you? What's your answer?

  26. A: How much do I charge? Starting at $2000 When do we pay you? I usually take it in 3 payments (After signing non-discloures, at time of recording, and when masters are delivered to the client). All monies must be paid in full to receive the final product. Do you play and instrument or just "make beats"? I play piano, and sax as well as understand music theory Can I take the unfinished draft/mix with me? No, not until it is finished and some type of plan is in place. Do you have your own studio? Yes Are you willing to travel to us? Yes, but will be added to expenses. Do you use/have pro tools? Yes, I have Pro Tools, but I primarily work out of Sonar. I can provide broadcast Wave files or a Pro Tools session if needed.

  27. Q: How would you describe your style?

  28. A: I would describe my still as futuristic, and melodic. Music that you can feel. When beat drops or the instruments come on it should feel epic and draw the listener in. I love pianos, arpeggiated sythns, and pads.

  29. Q: Which artist would you like to work with and why?

  30. A: I would love to work with an on the caliber of Beyonce, Rihanna, Ariana Grande, or Lady Gaga. I love working with artist with powerful voices and the ability to be creative during the recording/songwriting process.

  31. Q: Can you share one music production tip?

  32. A: Keep an open mind, some of the best things come from spontaneity, suggestions, and creative "accidents"

  33. Q: What type of music do you usually work on?

  34. A: I typically workon R&B, Pop, and Gospel records and some Hip Hop/Rap

  35. Q: What's your strongest skill?

  36. A: Taking a concept from my mind to mastering and succeeding. as well as the ability to come up with inspiring, meaningful, and competitive music.

  37. Q: What do you bring to a song?

  38. A: Professionalism, Confidence, comfort, creativity, Out of the box thinking, Competitiveness, versatility (I play piano and sax), and the ability to adapt to any type of music and deliver.

  39. Q: What's your typical work process?

  40. A: The typical work process involves meeting the artist/client for a short interview to get a better understanding of needs and requirements. After that, my team and I begin our process of researching the artist, their competitors, and the proposed genre to begin composing the music, writing the lyrics, and recording the demo. The demo includes the lead vocals, as well as background vocals. When we present the record to a client, we want it to sound like a finished product. We tailor each song to our client's needs. Once we preview the song to the client and they approve, we get right into the recording process.Sometimes we get right into it in the studio, and sometimes the client may want to way a couple of days before recording. We handle all vocal production with my co-writer and vocal producer, Thaddeus "T.A." Anwar. We also do all vocal editing, tuning, and timing as necessary to strengthen our product. We mix the music, and outsource all of our mastering. We take our time, and demand perfection from our clients that we work with. We take pride in being able to give a high quality product.

  41. Q: Describe the most common type of work you do for your clients.

  42. A: Full song production which includes: composition of the music, songwriting, vocal production, recording, mixing, and mastering. We are a production team focused on providing top quality, professional, and competitive songs to our clients.

Big Chrizzle X Lisa Dinero - Gucci Cake

I was the Producer, Composer, Recording Engineer, and Mix Engineer in this production

GenresSounds Like
  • Chris Brown
  • Ariana Grande
  • Migos
Gear Highlights
  • Slate VMS w/ All Expansions
  • Cakewalk Sonar Platinum
  • Slate Raven
  • Roland Fantom X6 and Fantom-G
  • Full RolandCloud Software Suite
  • Output Kontakt Libraries
  • PA-SSL 4000E Console plugin
  • Altiverb 7
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