
Seattle Area producer & engineer.
Contact me through the green button above and let's get to work.
Credits
- Wishbeard
- Sharkie
- Sashay
- Rose Windows
- Zebra Hunt
- MrNightSky
- Childbirth
- Wimps
- CHARMS
- Red Ribbon
- Tenderfoot
- Detective Agency
- Palit
- Sir Coyler & His Asthmatic Band
- Killer Ghost
- Charles Leo Gebhardt IV
- Lindseys
- SPURM
- Scraps
- Consignment
- Partman Parthorse
- Gang Cult
- Dikes Of Holland
- _ziskis_
- CMRTYZ
- Witch Gardens
- The Zoltars
- The King Of Pop
- Thunder Buffalo
- Gold Fronts
- Dude York
- Prison
- Posse
- The Dumps
- Unnatural Helpers
- Ubu Roi
- So Pitted
- Stickers
- Two Loons for Tea
- USF
- Pony Time
- MTNS
- Night Boss
- Arrington De Dionyso
- Hotel Vignette
- U Bellin Hemmie
- SSNACKSS
- Willie Nelson
- Matchbox 20
- Mo Brown & The Shit Downtown
- Bog
- Kinski
1 Reviews
Endorse Aaron C SchroederInterview with Aaron C Schroeder
Q: Describe the most common type of work you do for your clients.
A: I mainly focus on EP & LP production/engineering/mixing. I take care of location scouting and budget assessment to make sure artists get the best bang for their buck.
Q: Tell us about your studio setup.
A: All my gear is racked up in road cases so I am able to take it anywhere, be that a traditional studio environment, Church, basement or bar. Im running ProTools 12 w/ UA Apollo 16 & do final mix down to tape.
Q: What's your typical work process?
A: I tend to like to visit the band in practices to talk about each song with them in person. I also go to shows to see them live to better get a feel of the energy of the band.
Q: What type of music do you usually work on?
A: I tend to work on music based in the rock or pop realms, but have branched out into more avant & ambient work.
Q: What was your career path? How long have you been doing this?
A: I have been recording bands since I was in High School, 16+ years, and professionally since the age of 20.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: 4 track, drum machine, Nord Lead 2, Coles 4038, power generator
Q: Analog or digital and why?
A: both. every song can easily have both. Digital is cheaper than tape but analog helps with color.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Dyan Wall, Nate Kruz
Q: What are you working on at the moment?
A: Tenderfoot EP, Sharkie LP, The Dumps LP & The King Of Pop LPs
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: All projects give me something different to be proud of. There is no session Ive done that I have not been proud to be a part of.

I was the producer, recording & mixing engineer in this production
- ProducerAverage price - $250 per song
- Mixing EngineerAverage price - $75 per song
- Mastering EngineerAverage price - $50 per song
- Recording StudioAverage price - $500 per day
- Dialogue EditingAverage price - $75 per minute
- Sound DesignAverage price - $75 per minute
- Post MixingAverage price - $100 per minute
- LA2A
- Manley Vari-Mu
- Distressor x2
- DBX 160
- API 3124
- UA 610-2
- Wunder Audio PEQ-1 x2
- Shadow Hills GAMA x2
- Eventide Orville & DSP4000
- Echoplex Tape Delay