Play drums and do audio engineering in a band called Twenty One Two. Decided to start help others with audio engineering services after 10 years doing it for myself only.
Trying to provide the highest quality service is my top priority. I always strive for excellence and never settle on "good enough."
Send me an email through 'Contact' button above and I'll get back to you asap.
Reviews (1)Endorse Rickard Lindvall
Rickards one to look out for with both his production, audio engineering/mixing skills ect... &also being the drummer in the band "Twentyonetwo".
He really is a perfectionist& will not settle for anything less -went the extra mile& beyond!
It felt like working with Tre Cool & CLA together..amazing!
Faultless experience& would recommend to all!
Interview with Rickard Lindvall
Q: How would you describe your style?
A: mostly aggressive
Q: What are you working on at the moment?
A: at the moment i'm working on my own bands different projects, but i would love to tackle someone else's work.
Q: Analog or digital and why?
A: Analog for sound and digital for workflow. Doing tests for a couple years i found that analog compressors do something different and great with sounds while plugins doesn't do much, except compressing. There's no personality. With EQ and Distortion the difference between analog and plugins isn't as big. But the main difference is that the analog gear sounds more open to me. The plugin does the same thing, but it's sound is small and sometimes harsh.
Q: What do you like most about your job?
A: Different styles of music and that every song is different.
Q: What's the biggest misconception about what you do?
A: Everyone thinks that they could do it.
Q: Can you share one music production tip?
A: Get it good at the source.
Q: What type of music do you usually work on?
A: rock, pop, punk rock
Q: What's your strongest skill?
A: Drum sounds. I just love them
Q: What's your typical work process?
A: When mixing i always listen to the song to see what it has. Then i start to test different sounds. When i get an idea of what i want to touch and what not, i crank the volume to get the band/artist to sit right. Then i lower the volume for final tuning and balance.