Mattia Saravo on SoundBetter

I'm a 18 years experienced session drummer, and I own my home studio, and I can record almost every musical genre. Can perfom a multitrack recording, and export in . Wav each track.

I'm a session drummer with14 years of live and studio activity.

I have my own studio where I use to record the drum parts.

The hiring process is simple:

1) you explain your needs and eventually send a file;
2) I'll record the drumparts with overdubs (if needed);
3) you'll receive the parts for the revision.

My gear:

DRUMS:
- Pearl Session Studio Select 22"x 16" - 10"x 7"- 12"x 8" - 14"x14 - 16"x16".

CYMBALS:
- Large variety of new and vintage Ufip Cymbals (which I endorse).

SNARE DRUMS:
- Core Efesto 14"x 6";
- Sonor Artist Series Snare Drum 14"x 5" Cottonwood Maple;
- Ludwig LB417BT 14"x 6,5" Black Beauty;
- Sonor Phonic Re-Issue Snare D 515 PA 14"x 5 3/4", Rosewood;
- Pearl Free Floating 14" x 3,5 (both Maple and Brass body);
- Pearl Omar Hakim Signature 13" x 5";
- Yamaha Manu Katche Snare Drum 14x5.5 - SD-455MK - Black Nickel over Steel (seamless);

MICROPHONES:
- Solomon Subkick;
- Senheiser e535;
- Shure SM 57;
- Oktava MK-012;
- AKG D112;
- Aston Origin.

PERCUSSION AND TOOLS:
- Meinl, LP tools and percussion.

AUDIO INTERFACE:
- PreSonus 18c24;
- Behringer with 8 additional channels and MIDAS preamps.

DAW:
- Cubase.

My Muso.ai credits list:

https://credits.muso.ai/profile/563a9c41-2074-4190-9198-a8771ad3f4ad

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

Credits

Languages

English
French
Italian
Spanish

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Interview with Mattia Saravo

Q: Analog or digital and why?
A: Digital, cause today the analog much times well reproduced by VSTs.
Q: What's your 'promise' to your clients?
A: To do the job at my best.
Q: What do you like most about your job?
A: Meet new people, new cultures and, obviously daily new callenges.
Q: What questions do customers most commonly ask you? What's your answer?
A: My studio gear, and I answer.
Q: What's the biggest misconception about what you do?
A: Drums are noise and nothing else.
Q: What questions do you ask prospective clients?
A: Usually I ask about their idea of drums, a file where I can listen the job I have to do, and a music sheet if there is a written drum part.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Give me a drumless track, I'll dothe rest.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Hi-hat, snare, bass drum, ride cymbal and floor tom
Q: What was your career path? How long have you been doing this?
A: I've been doing this from 2005.
Q: How would you describe your style?
A: Creative and chameleonic
Q: Which artist would you like to work with and why?
A: Everyone, the music is all beautiful.
Q: Can you share one music production tip?
A: Less is more.
Q: What type of music do you usually work on?
A: Rock, Pop, Funk, Edm and all them subgenres
Q: What's your strongest skill?
A: Play for the song.
Q: What do you bring to a song?
A: The right feeling, the energy and the creativity (where it's needed)
Q: What's your typical work process?
A: Listening, playing, do more takes and choose which fits better.
Q: Tell us about your studio setup.
A: It's already in the bio
Q: What other musicians or music production professionals inspire you?
A: There are tons of musician, as John Bonham, Jeff Porcaro, Steve Gadd, Derrick McKenzie, Gavin Harrison and Vinnie Colaiuta.
Q: Describe the most common type of work you do for your clients.
A: I record remote drums from my studio.