Kamron Krieger is a Recording and Mixing Engineer who's worked with tons of platinum and billboard charting artists.
I'm a recording and mixing engineer based in New York City. I have a wide variety of technical and creative skills both within the music and post production worlds that I've gained working in various top shelf studios over the years. Whether its recording a 20 person choir performance, mixing a radio ready hip hop record or getting some dialogue editing done for a film, I can handle any and all of your audio needs, at a budget price.
Would love to hear from you. Click the contact button above to get in touch.
Credits
- A-Trak
- Araab Muzik
- Ashanti
- Wale
- Melissa Etheridge
- Travis Scott
- T.I.
- Timbaland
- Sonny Digital
- Mali Music
- French Montana
- Juelz Santana
- Chris Brown
- Migos
- Kid Red
- Jerry Wonda
- Cris Cab
- ASAP Ferg
- 300 Ent
- Bobby Shmurda
- Rowdy Rebel
- Abillyon
- Too Many Zooz
- Angela Hunte
- Slightly Stoopid
- Machel Montano
- Alex Boye
- The Americans
- Unbreakable Kimmy Schmidt
- Nebu Kiniza
- Curly Savv and Dah Dah
- Kali Uchis
- Polly A
- Salaam Remi
- B. Howard
- Rich the kid
- Kreesha Turner
- Dave East
- Sap
- Lucki Eck$
- Lil Skies
- Gunna
- Swizz Beats
- Flee
- Tee Grizzley
- UnoTheActivist
- Estelle
- Future
- Meek Mill
- A Boogie wit da Hoodie
- Smokepurpp
Interview with Kamron Krieger
Q: Analog or digital and why?
A: Best of both worlds.
Q: What's your 'promise' to your clients?
A: You will be satisfied with your project.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: U87, 1073, CL1B, MacPro and a pair of Augsbergers
Q: How would you describe your style?
A: Modern and crispy
Q: Which artist would you like to work with and why?
A: Rihanna because she is very personable.
Q: Can you share one music production tip?
A: High Pass filters on everything that isn't bass ;)
Q: What's your typical work process?
A: Depends on the work that needs done.
Q: What type of music do you usually work on?
A: Pop, Top 40, Hip Hop, R&B, Dancehall
Q: What's your strongest skill?
A: Bringing the artist/producer's full vision of a project to realization. I aim to make your project sound how YOU want it to sound.
Q: What do you bring to a song?
A: Enhancement. I try not to change a song unless the producer or artist wants a more creative direction.
Q: Tell us about your studio setup.
A: Avid Pro Tools 10/11, Logic Pro X, UAD, Waves, McDSP, iZotope, SoundToys, FabFilter, Sonnox, SPL, Focusrite, Apogee Converters, AKG, Neumann, Yamaha Monitoring.
Q: What other musicians or music production professionals inspire you?
A: Hybrid approach of live instrumentation combined with digital production.
Q: Describe the most common type of work you do for your clients.
A: Recording and Mixing vocals as well as instrumentations for Top 40/Pop/Hip Hop genres.
I was the Mixing Engineer in this production
- Mixing EngineerAverage price - $300 per song
- Mastering EngineerAverage price - $70 per song
- Vocal TuningAverage price - $40 per track
- Vocal compingAverage price - $40 per track
- EditingAverage price - $40 per track
- Dialogue EditingAverage price - $75 per minute
Every project is different, but I try to provide all clients with a swift, yet unhurried, turn-around time. Up to 10 revisions per project (give or take). Contact me and lets talk details!
- Avid Pro Tools 12
- Yamaha NS10
- ProAc 100
- Augsbergers
- UAD
- Slate Digital
- Waves
- McDSP
- iZotope
- SoundToys
- FabFilter
- Sonnox
- SPL
- Focusrite
- Apogee Converters
- Neumann