Regi Ashman

A Musician's Drummer & Mixer

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4 Reviews
Regi Ashman on SoundBetter

Need a real 'musician' to do a quick live drum track or mix a cheeky song soon? You're in luck. Regi Ashman can do both of those things (and maybe more).

Regi has been interested in the many facets of music since childhood ranging from the traditional aspects of performance, composition, song writing and arranging; to the more modern & technical aspects such as mixing, recording and production. This multi-faceted approach to music allows Regi to have a greater and more informed perspective when it comes to both playing drums and mixing. If you want a real 'Musician' to lay down some drums or mix your track, Regi has got you.

Having been playing music for most of his life and having also studied jazz performance, composition and drums at the James Morrison Academy of Music under the likes of David Jones, Darryn Farrugia and Andy Fisenden, Regi is well equipped to provide solid grooves and creative flair to any live drum tracks you require.

With over 6 years of mixing experience, Regi can take your raw recordings and polish them so that they literally jump out of the speakers.

Regi specialises in both playing and mixing jazz, funk, rock and combinations of all three. Still feel free to get in touch if your music doesn't easily fit into these listed musical genres.

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

4 Reviews

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  1. Review by Patrick
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    I used Regi to record six songs in a studio for my jazz quartet. He was amazingly efficient and supplied lots of great gear. His mixing skills were also great as he has an immense musical knowledge, which helped him make tasteful decisions. I would definitely use Regi again!

  2. Review by James Chapman
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    I asked Regi to do a live recording (jazz) for a gig and he was great! Incredibly cooperative, knows his craft and did a great job with the recordings. Well worth bringing him onboard for your project!

  3. Review by Nick Rignanese
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    Regi filled in as a drummer for my jazz trio recently and did an excellent job with very little rehearsal time required. I would definitely recommend having Regi play for your group.

  4. Review by Mitchell Wilmot
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    Regi did the recording and mixing for a live gig I put on a few month ago. The quality of the final poduct was fantastic, as was the experience of working with him. Would highly recommend!

Interview with Regi Ashman

  1. Q: Analog or digital and why?

  2. A: Digital. It's more affordable, less finicky and you can get results that are just as good as analog. Also not all of us are made of money.

  3. Q: What's your 'promise' to your clients?

  4. A: To be honest and to try and give all that I can give to their project. They've decided to spend money on my services so I want them to able leave them smiling and full of excitement when they hear back the finished track. When I take on a project that I know I'm not the best fit for, I'll tell them straight up. Because ultimately we both want to create the best music we can, and if that means I need tell them I'm not the best choice, then that's exactly what I'll do.

  5. Q: What do you like most about your job?

  6. A: Being able to contribute to someone else's musical endeavour is such a satisfying thing. Particularly when you finish your contribution and listen back to the completed project. It's exciting every time.

  7. Q: How would you describe your style?

  8. A: For mixing main style could be described as 'naturalistic'. For acoustic instruments I want them to sound both musical and real to life. I want the track to sound almost as if the listener is sitting in front of the musicians in the same room. For drums my style focuses around the groove. I aim to play as simply as possible while keeping it undeniably groovy. By doing this I'm focusing on trying to support all the other instruments and make the entire track sound as good as possible.

  9. Q: Can you share one music production tip?

  10. A: If you want instant lo-fi hip hop vibes, just run your entire mix through tape emulation with a slow 'wow' or 'flutter' effect. It almost makes everything sound better.

  11. Q: What type of music do you usually work on?

  12. A: For both drumming and mixing I mainly work on the jazz, rock and funk genres.

  13. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  14. A: I recently live recorded 14 different jazz groups over the span of a couple weeks. The whole thing was very impromptu and there no time to check sound between different groups' sets (of which there 2 to 3 each night). It challenging but through trusting my experience and instincts I managed to get some decent recordings out of each performance with little prep time. Once I finished mixing all 76 tracks I was particularly proud of how I managed to get such quality recordings in such a high intensity and uncontrolled environment.

  15. Q: What questions do you ask prospective clients?

  16. A: For both drumming and mixing I'd ask them about the style and of the track and the general musical direction. I might ask for some reference tracks in terms of how they want either the drum part or the mix to sound. The most important thing for me would be to try and understand what a client wants to achieve musically and where they are coming from. If I can learn this early on in the process, it makes actually doing the work much smoother as I know what I'm trying to do and what limitations I have.

  17. Q: Tell us about your studio setup.

  18. A: I have a modest home studio where I both track drums and mix. It's not the greatest nor the most expensive setup but it gets the job done. I run KRK Rokits for monitoring and KRK KNS 8400s for my headphones. I track and mix in REAPER on a Windows PC.

  19. Q: What's your typical work process?

  20. A: For drumming I'll first listen through the whole song a few times and take notes on what ideas come to me. Then I'll get behind the drum kit and try out some of those ideas until I find the ones that fit. Once I have the part figured out I'll then record and then listen back as many time as needed until the part sound finished. For mixing I'll first listen through the song and make some notes. I'll then do some basic organisation tasks and audio clean up as is needed. I then mix and make revisions as many times as I need until I can't think of anything else that needs improving.

  21. Q: What other musicians or music production professionals inspire you?

  22. A: In terms of mixing engineers Al Schmitt would be a big inspiration. To have such a wealth of knowledge and experience and to still be working today is a feat in itself. For drummers it'd be Mark Guiliana and Jojo Mayer. They both have such creative voices on their instruments but can also mold themselves to fit within any musical context they find themselves in.

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The Ormsby Blues by Mitchell Wilmot

I was the Mixing & Recording Engineer in this production

Terms Of Service

Drums: Up to 2 revisions allowed. Average turnaround time will be 7 days (for most jobs). Mixing: Up to 2 revisions allowed. Average turnaround time for a single track will be 3-4 four days.

GenresSounds Like
  • Ray Brown Trio
  • The Pixies
  • Red Hot Chili Peppers
Gear Highlights
  • Two ears. Some drums. Both work great. REAPER
  • Grestch Drums
  • Paiste Cymbals.
More Photos