Brian Losch on SoundBetter

Grammy award-winning recording engineer specializing in studio/location recordings, mixing, editing and post production.

Making recordings for Sony Masterworks, EMI, Deutsche Grammophon, Decca, and organizations such as The Metropolitan Opera, Brian has album credits which span multiple genres and include artists Yo-Yo Ma, Edgar Meyer, Chris Thile, Stuart Duncan, Anne-Sophie Mutter, and the New York Philharmonic. As an engineer, he has worked on film scores for ESPN and composer Hans Zimmer, also live concert broadcasts featuring Tony Bennett, Celine Dion, and Andrea Bocelli.

Brian has been awarded a Grammy (Best Engineered Album, Classical) for Winter Morning Walks, received two Grammy Certificates of Participation (Best Folk Album and Best Engineered Album, Non-classical) for his work on The Goat Rodeo Sessions, a Certificate of Participation for work on Steven Mackey's Grammy-award winning Lonely Motel, Downbeat Awards for his studio and live recordings, Bradley Award for excellence in music production from McGill University, and is an AES Student Recording Competition winner in pop/rock and folk categories. As an engineer, Brian has worked on a variety of respected music productions and continues to do so in New York City.

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Credits

AllMusic verified credits for Brian Losch

Gil Shaham
Eric Jacobsen
The Knights
Boston Symphony Orchestra
Andris Nelsons
Boston Symphony Orchestra
Andris Nelsons
Boston Symphony Orchestra
Thomas Adès
Kirill Gerstein
Sharon Isbin
Sharon Isbin
Jakob Bangsø
Ken-David Masur
Amanda Hardy
Chelsea Music Festival Strings
Yale Schola Cantorum
David Hill
Yale Schola Cantorum
David Hill
Cincinnati Symphony Orchestra
Louis Langrée
Boston Symphony Orchestra
Andris Nelsons
Clarion Choir
Steven Fox
Boston Symphony Orchestra
Andris Nelsons
Sharon Isbin
Isabel Leonard
Brooklyn Youth Chorus
Boston Symphony Orchestra
Andris Nelsons
Keith Lockhart
Boston Pops Orchestra
Pablo Heras-Casado
Parker Quartet
Metropolitan Opera
Boston Symphony Orchestra
Andris Nelsons
Carlo Bergonzi
Leontyne Price
Thomas Schippers
Robert Craft
Paul Muldoon
Evan Rogister
Mohammed Fairouz
Ensemble LPR
Kate Lindsey
Hafez Nazeri
Renée Fleming
Joshua Bell
Fred Sherry String Quartet
Fred Sherry String Sextet
Franco Corelli
Nello Santi
Richard Tucker
Scott Dunn
Hong Xu
Hong Xu
Hinrich Alpers
Jussi Björling
Bidu Sayão
Emil Cooper
Steven Mackey
Eighth Blackbird
Rinde Eckert
Carlo Bergonzi
Thomas Schippers
Licia Albanese
Anne-Sophie Mutter
New York Philharmonic
Alan Gilbert
Chris Thile
Edgar Meyer
Stuart Duncan
Yo-Yo Ma
Franco Corelli
Leonie Rysanek
Irene Dalis
Kurt Adler
Franco Corelli
Leontyne Price
Fausto Cleva
Irene Dalis
Franco Corelli
Leontyne Price
Fausto Cleva
Irene Dalis
Dimitri Mitropoulos
Thomas Schippers
Berislav Klobucar
Birgit Nilsson
Jason Furman
Landon Knoblock
St. Charles Singers
St. Charles Singers
Gennaro Papi
Irra Petina
Raoul Jobin
Lily Pons
Erika Raum
David Moroz
Matthew Labarge
Nathan Parker Smith
Pierre Monteux
Risë Stevens
Roberta Peters
Michel Monteaux
Lucine Amara
Nathaniel Bellows
Risë Stevens
James Melton
Mimi Benzell
Wilfrid Pelletier
Risë Stevens
James Melton
Mimi Benzell
Wilfrid Pelletier

66 Reviews - 10 Repeat Clients

Endorse Brian Losch

by Jurriaan H.
Verified
Brian is a true professional when it comes to mixing & mastering, he never disappoints and is by far the most skilled engineer I ever worked with, highly recommended!!
by Kary B.
Verified
Brian is a professional whose expertise in mixing and mastering is impressive. He communicates effectively, is highly receptive to feedback, and delivered results that surpass expectations. Brian’s skill and attention to detail are evident. I highly recommend him to anyone seeking top-quality audio production.
by Matthew W.
Verified
Brian was the mixing and mastering engineer for a classical work I composed. The end product is outstanding. I gave Brian a very detailed list of notes for the mix and he nailed every single one. He is an extremely polite individual, and goes the extra mile to produce a high quality recording. I couldn't recommend him highly enough. Thank you Brian.
by Ross M.
Verified
Brian Losch worked closely with me on a classical piano tribute album to my teacher. He paid close attention to detail and was responsive to all of my requests. Highly recommended!!
by Edgar H.
Verified
Brian was really easy to work with, detailed in his craft and was quick with his responses and follow ups. I really enjoyed working with him.
by Ross M.
Verified
Brian worked with me to provide one sample production piece to establish the sound I am after. Brian was able to mix/master this piece to a level that captured everything I was hoping for. I look forward to Brian producing the rest of the album!
by Harrison j. Wood
Verified
Brian has such a great ear for detail and always endeavors to get the best out of your project. His patience and professionalism make such a difference when trying to convey your concepts and ideas. Very grateful for Brian and the time he spent bringing my music to life.
by Dennis H.
Verified
We have been working with Brian for many years, and he's our go-to sound mixer and designer. We received a quality product with excellent professional insight, communication, and speed as usual.

Thank you.
by Leeran R.
Verified
I gave Brian a fairly complex project, with real recorded instruments from multiple sessions as well as virtual instruments, and he did an excellent job making everything fit together naturally. Brian has great ears, technical know-how, and really cares about making the music sound as good as it can.
by Harrison j. Wood
Verified
Brian has such a great attention to detail, and is always making sure the client is 100% happy throughout. Would definitely like to work together more in the future!
by Tara K.
Verified
Exceptional engineer, second to none--grateful to be a repeat client!
by Tara K.
Verified
World-class engineer, professional and courteous; very grateful to be able to work with him
by Clinton C.
Verified
Brian is the best. The finish product is remarkable. His attention to detail was superb. The type of music I create is very unique using many subtleties in delays , and reverbs to create a unique space for the final product . Brian quicky responded to revisions and was able to add dimensions to the final mix ,
He is the ultimate professional , with world class skills. Very patient and responsive to comments I had during the project .I plan to use him on all of my future projects . !!
by Brian
Verified
I had an absolutely amazing experience with Brian Losch. He goes above and beyond, is super clear and transparent, and despite all of the work he has going on at any given time -- his level of communication was consistent and courteous. I don't think my review will do justice to how fantastic the experience and process was, from the initial consult, the numerous touch points inbetween, to the actual execution. Not to mention, the final product is stunning! Highly recommended!
by Jurriaan H.
Verified
Outstanding quality of mixing and mastering. Very professional communication and always listens exactly to the feedback given. I have been working with Brian for many years now and he has never disapointed me. Highly recommend
by Justin M.
Verified
Brian delivered a fantastic mix on our song! Amazing communication as well throughout the mixing process.
by Beth G.
Verified
I just love Brian. He is a great person as well as a great engineer. This is the second album I have done with him, and I know I can relax when I send him a project. It will be done right. Not everyone resonates with my music (improvisational classical), but he does, and I am grateful to have him on my team.
by Jurriaan H.
Verified
Brian delivers insanely good quality, 1 of the best engineers on this platform
by Khaled A.
Verified
Brian did an amazing job with my piano track. A real professional in the craft.
by Julian B.
Verified
Brian is a total pro. Highly recommended!

Interview with Brian Losch

Q: What type of music do you usually work on?
A: Acoustic music recorded in acoustic spaces. However, modern production techniques can be just as useful with a well recorded classical album and I often reference top radio mixes. My interests are eclectic: For example, I like to draw from pop productions for inspiration in making acoustic recordings sound larger than life.
Q: Describe the most common type of work you do for your clients.
A: Typically I am part of a project from start to finish, which includes pre-production, recording, editing, and mixing. Many of my biggest credits are in the classical/jazz genre, but I have a depth of experience in a wide variety of music. I am increasingly involved in post production editing and mixing for a variety of music-based television and film productions.
Q: Can you share one music production tip?
A: The mix starts with musicians, the space, then mic placement. It's much more important to get the capture right, then to attempt a compromised fix later on. (i.e. "fix it in the mix!")
Q: What was your career path? How long have you been doing this?
A: I come from a musical family and music production has always been an inherent skill in my life. From the age of 15 I began recording music and later studied music recording, jazz guitar and computer science at University of Miami (Bmus). I also earned a (Mmus) degree in sound recording from McGill University. I have worked and studied at the Banff Centre for the Arts as an audio associate and Tanglewood Music Center as an audio fellow. Moving to New York City to pursue a career as a recording engineer, I had the opportunity to work with renowned music producers and engineers which led to multiple Grammy awards and further opportunities not just in album production, but in television and film.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Please provide references for a specific sound you are hoping to achieve. A production can go many different directions and it's best for me to understand what you are looking for so we are both happy!
Q: What's your strongest skill?
A: Technical problem solving. Many times I am hired to work in difficult spaces or given audio tracks that are in need of repair. In every situation I strive to bring out the best possible outcome for the music, audio, and production as a whole.