Session Guitarist

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I recently created a multi-genre guitar suite that moves through UK jazz, neo-soul, ambient textures, and groove-driven fusion. It pushed me creatively and shows the full range of what I can bring to a track — tone, feel, and versatility all in one piece.

Q: What are you working on at the moment?

A: Several session projects in the UK jazz/neo-soul space, and some fusion and ambient compositions of my own.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: Not personally, but I’m always open to collaborations and happy to connect clients with musicians whose work I trust.

Q: Analog or digital and why?

A: Both. Analog gives warmth and honesty; digital gives precision and flexibility. I use each where they shine.

Q: What's your 'promise' to your clients?

A: I will always put the song first, deliver clean professional stems, and make the collaboration easy, clear, and enjoyable.

Q: What do you like most about your job?

A: That moment when the guitar part locks perfectly into the groove and the whole track opens up. It’s magic every time.

Q: What questions do customers most commonly ask you? What's your answer?

A: Absolutely — send me a reference, and I’ll deliver something that captures the same spirit while staying musical and authentic.

Q: What's the biggest misconception about what you do?

A: That recording guitar is just “playing a part.” In reality, it’s tone-crafting, arranging, phrasing, touch, dynamics, and understanding how to lift the whole track.

Q: What questions do you ask prospective clients?

A: What mood or emotion are you aiming for? Do you have references? Should the guitar be a feature, a texture, or a blend of both? Any specific tones or players in mind?

Q: What advice do you have for a customer looking to hire a provider like you?

A: Look for someone who listens first. Great session work starts with understanding your vision, not showing off chops.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: Gibson ES335, Fractal MM4, laptop, AKG Q701 headphones and a solar-powered powerful power bank (what a mouthful!) Island grooves need good tone 🌴

Q: What was your career path? How long have you been doing this?

A: I studied jazz formally and spent years performing, recording, and refining my sound. I’ve played in big bands, fusion groups, studio sessions, and live projects across the UK and Spain. With over three decades of experience, I bring both technical skill and musical maturity to every project.

Q: How would you describe your style?

A: Expressive, melodic, groove-driven, and modern. I blend clean tone, jazz-influenced harmony, and rhythmic clarity with a warm, soulful feel.

Q: Which artist would you like to work with and why?

A: The UK jazz scene inspires me endlessly — bands like Ezra Collective, Kokoroko, and Alfa Mist have this beautiful mix of groove, freedom, and melody. I’d love to bring my guitar voice into that world, weaving lines and textures around their rhythmic energy.

Q: Can you share one music production tip?

A: Leave space. The best parts often come from what you don’t play — giving the track room to breathe.

Q: What type of music do you usually work on?

A: Modern jazz, UK jazz, neo-soul, R&B, groove-based music, alt-pop, and anything that needs tasteful guitar textures or expressive improvisation.

Q: What's your strongest skill?

A: Musical instinct and feel. I know how to make a part sit just right — rhythmically, harmonically, and emotionally.

Q: What do you bring to a song?

A: Groove, clarity, and musical intention. I focus on serving the track — supporting the rhythm, elevating the harmony, and adding expressive lines that feel alive in the mix.

Q: What's your typical work process?

A: I start by understanding the emotion and direction of the song. Once I have your references, I record several takes with different tones and approaches so you have options. Then I refine, edit, and deliver clean stems that drop straight into your session.

Q: Tell us about your studio setup.

A: My studio is a hybrid recording space built for fast, high-quality workflow. I use Logic Pro, pro-level interfaces, amps and modelers, and a carefully chosen collection of guitars and basses. Everything is routed so I can move from idea to final stem instantly, with warm, clean tones ready for any mix.

Q: What other musicians or music production professionals inspire you?

A: I’m inspired by the UK jazz scene — artists like Ezra Collective, Kokoroko, Alfa Mist, and Nubiyan Twist. Their blend of groove, harmony, and freedom really shapes the way I play. I also love the expressive guitar worlds of players like George Benson, Pat Metheny, and Mark Lettieri.

Q: Describe the most common type of work you do for your clients.

A: I record electric and bass guitar parts that blend feel, groove, and melody. Most clients hire me to bring modern jazz, neo-soul, or R&B textures to their tracks — clean lines, warm rhythm work, or tasteful improvisation.