Enhance the sonic experience of your audio content with professional-grade audio mixing services tailored to your unique needs, ensuring clarity, balance, and immersive sound that captivates your audience.
Immerse yourself in a world of captivating music and immersive audio experiences. As a skilled audio engineer and music producer, I bring a deep passion for crafting mesmerizing soundscapes and ensuring the highest audio quality. I have a wealth of knowledge in sound design, audio editing, and creative production techniques. I offer a diverse skill set, from leading the editing and mixing of promotional material and feature-length courses to designing enchanting soundscapes for games. With a Certificate in Post-Production & Game Audio, I stay at the forefront of industry trends, utilizing tools like Ableton Live, Izotope RX, and DaVinci Resolve. Let's bring your musical vision to life and create an unforgettable sonic experience.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
2 Reviews
Endorse Myles Ogilvie
This guy knows what's UP with anything sound and audio related!
A pleasure to work with and more importantly meets and exceeds deadlines with project delivery! I highly recommend working with him wether is be a new hip hop track or an audio book you are trying to get down. He also brings in fresh ears when finalizing your mix/master and can help ya make your track pop more than what you had in mind! Can't really say anything else other than you should hire this excellent person to work on your next audio project! What you waiting for? Go slap dat green button!Myles Ogilvie, a talented mixer and producer with whom I have had the pleasure of working on multiple projects.
I have been consistently impressed with Myles' communication skills. They have always been prompt, clear, and effective in their communication, which has made our collaborations run smoothly and efficiently.
I highly recommend Myles to anyone looking for an exceptional music mixer and producer. Their professionalism, talent, and communication skills make them an invaluable asset to any project. I look forward to continuing to work with Myles in the future.
Interview with Myles Ogilvie
Q: Analog or digital and why?
A: After many long debates with both my professors back when I was in college and fun banters with other creatives, it always comes down to how you know and use your equipment. Preferably I use digital because I know what I use inside and out, and it will always give me a sonic edge.
Q: What's your 'promise' to your clients?
A: I promise clarity in communication and cooperation towards their creative goals!
Q: What do you like most about your job?
A: I enjoy how every project and client has a unique sound and approach to how they create. I find it incredibly inspiring and motivating to advance in my own art as well.
Q: What's the biggest misconception about what you do?
A: To be quite honest, not a lot of misconceptions. although I did have someone ask me to make album art once... That was interesting.
Q: What questions do you ask prospective clients?
A: What are your biggest inspirations and do you have any references for the type of song you are making/made
Q: What was your career path? How long have you been doing this?
A: I started working in the audio industry when I was 16 working as a front-of-house mixer for a summer job. I ended up getting so enveloped in the feeling of being in the music that I learned how to play and produce music while working. eventually, I decided I wanted to become a professional and devote my life to it, so I took the leap and went to school for audio engineering and music production, where I was taught by a few industry legends who worked with Rage Against The Machine and Pink Floyd.
Q: Which artist would you like to work with and why?
A: I would want to work with Ariana Grande. I love the energy and production quality of her music. If not her then Anderson Paak. The sheer amount of swagger is unmatched by any human being, I can imagine the studio just being pure good vibes and a lot of fun.
Q: Can you share one music production tip?
A: Every hour and a half, take a 10 min break and listen to something soft and quiet, it resets your ears and helps you hear things you didn't before.
Q: What type of music do you usually work on?
A: I usually work on Drum & Bass and EDM however I do have a soft spot for Metal and Jazz when I have the opportunity to work with them.
Q: What's your strongest skill?
A: Communication and organization are the most important things when working on a project, I keep those 2 things close to my chest when working on any project. I like to think you can be a master at anything, but if you don't have those 2 skills in check you may the road ahead far more difficult than needed.
Q: What do you bring to a song?
A: I bring passion, experience, and drive. Because of my long history in the music industry, I have developed a great sense of what sounds good and most importantly, the soul of the artist shining through the mix.
Q: What's your typical work process?
A: Depends on the gig. but I like to start with organizing everything and making sure everything would make sense if someone walked into my studio and sat in my chair. Then I work bottom-up, I set everything to zero when I'm mixing and work my way up to a nice mix and then bring out key elements the artist would want, like that wicked guitar or that gruesome bass. when I'm working on production I do a similar thing, but I will always start with chords and melody and build the song around them
Q: What advice do you have for a customer looking to hire a provider like you?
A: Its always good to know what you what ahead of time and keep good communication with your provider. that way you will always get exactly what you want.
Q: How would you describe your style?
A: my style is ever changing, but i like to keep everything i do crisp and bold.
Q: What other musicians or music production professionals inspire you?
A: Deadmau5 is a huge inspiration for me but i grew up listening to jazz and blues due to my family's roots
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: One of my first serious ghost productions unexpectedly played on my local radio 2 weeks after I completed it. I wrote, mixed and mastered that song.
I was the Producer in this production
- Mixing EngineerAverage price - $250 per song
- Podcast Editing & MasteringAverage price - $75 per podcast
- EditingAverage price - $100 per track
- Sound DesignAverage price - $150 per minute
- ProducerContact for pricing
- RestorationAverage price - $75 per hour
Typical turnaround time - 4 days minimum - 2 weeks maximum depending on scale
3 revisions standard - Any following revisions is a minimum charge of $50 per
