Mixing, Production & Tracking

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: The Salsa Big Band album by Ruben Blades, I was a recording and mixing engineer, this album received 2 Latin Grammys, one of them as Album of the Year in 2017 and the Grammy in 2018.

Q: What advice do you have for a customer looking to hire a provider like you?

A: I hope an artist with an open mind to always propose to improve his music from my point of view and my experience.

Q: What was your career path? How long have you been doing this?

A: 26 years as a session drummer and recording and mixing engineer

Q: Can you share one music production tip?

A: Yes

Q: What type of music do you usually work on?

A: Indie rock, Indie Pop, Latin music (Salsa, Vallenato,), reggaeton, Rock, Folk and Fusion.

Q: What's your strongest skill?

A: My job is to provide a producer vision in the mix, which is what my clients like best.

Q: What do you bring to a song?

A: freshness, impact, color

Q: What's your typical work process?

A: Preparation of the mix, it took me a long time for everything to be organized so that my work when it comes to mixing flows.

Q: Tell us about your studio setup.

A: My study after 20 years of modifications, has a simple configuration, I work in the box with Antelope Audio, Pro tools or Harrison Mix Bus conversion, with Acustica Audio plugins as the main tool. Monitors Genelec, Unity Audio.

Q: What other musicians or music production professionals inspire you?

A: Patrick Watson, Thomas Dybdhall, Pink Floyd, Arctics Monkeys

Q: Describe the most common type of work you do for your clients.

A: My work is based on the engineering of mixing, editing, production of original music for artists or bands.