a french Music and TV søund engineer (technicien søn en francais dans le texte), in Paris.
Un studiø søn avec son petit cøté "chaleureux et cømme à la maisøn" dans un décør bøn enfant...avec tøut ça le studiø aurait pu s'appeler "SøundTøy", mais ça sera GonZo Sound Studio.
Tristan de Carbon (me) is the sound editør of GønZø Søund Studiø, in paris, a TV and Music Søund Studiø.
Main services prøvided:
Søund editing (clean the recørds, sequencing, editing…)
Søund design and compøsition
Løudness metering (eurøpean and american TV prøgrams)
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Interview with Tristan -GonZo- de Carbon
Q: What's your strongest skill?
A: i'm a joker, + Avid HD certified guy.
Q: What advice do you have for a customer looking to hire a provider like you?
A: You can't have Good and Cheap, or Good and Faste, think of Fast and Cheap.... not a Good thing.
Q: What do you like most about your job?
A: Work hard, work night.
Q: Describe the most common type of work you do for your clients.
A: Hello :D I'm a niçois and french Sound Designer (maybe a "Sound Influencer" ?) based in Paris. I mostly work on French museums (Mémorial de Verdun, MuséoSeine, ...) and TV as "sound design assistant" and "additional sound mixer" but I'm best known for my sound work on the kékéflipnote animation série.
Q: What other musicians or music production professionals inspire you?
A: Lemmy Kilmister, Set&Match, Antoine Bonnet, Luc Martinez, Bob Marley, El Deterr, Cheech&Chong, Pierre Henry, Serge Gainsbourg, Gérard Baste, ...
Q: Tell us about your studio setup.
A: ProTools HD (+HD omni), Equator Q8 monitoring, iZotope RX,
Q: What's your typical work process?
A: Wake up, turn on the computer, the sound device, the monitoring and... work (sound research then sound design)
Q: Can you share one music production tip?
A: Listen, live. If not you do it wrong.
Q: What was your career path? How long have you been doing this?
A: I beganmy sound career at the French TV channel Nolife in 2011, and since, among other sound projects, I has worked for some French museums and for kékéflipnote.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: hmm, a cellphone ? Because 5 audio gears without electricity... ok maybe my recorder but after 20h of battery...
Q: What are you working on at the moment?
A: 4 mini-series untill december, still free for some other sound work.