I’m all about creating sound — from Foley and sound design to mixing in formats up to 7.1.4. Based in Central Germany (Halle/Leipzig), I got into Foley the classic way, learning it from the ground up, and that hands-on mindset still shapes how I work today. From commercials and image films to feature projects, I enjoy building sound worlds that fee
My work focuses on film sound in all its facets — as a Foley artist, sound designer, mixer and music composer, I shape the sonic identity of visual storytelling. From creating detailed, expressive Foley performances to designing immersive soundscapes, composing original scores and balancing complex mixes, I aim to bring depth, clarity, and emotional impact to every project.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Credits
Interview with Tilman Köhler
Q: Tell us about your studio setup.
A: My audio setup consists of two studios: Studio 1 is a 7.1.4 immersive setup with Geithain speakers, while Studio 2 features a 2.1 setup with Neumann KH 310 monitors. For recording and processing, I use a Universal Audio Apollo x6 along with microphones such as the Neumann KMR 81, Neumann KM 184 and the Aston Spirit, paired with Focusrite ISA preamps. I also maintain an extensive Foley props collection. For production, I work in Steinberg Nuendo, using a range of tools including FabFilter, Universal Audio plugins, iZotope RX, dxRevive, Altiverb, Soundtoys, Soundtheory, oeksound and many more.
Q: What other musicians or music production professionals inspire you?
A: Max Richter, Olafur Arnalds and Hania Rani
Q: Describe the most common type of work you do for your clients.
A: Foley, Sound Design & Mixing for Film
- Sound DesignAverage price - $50 per minute
- Dialogue EditingAverage price - $50 per minute
- Post MixingAverage price - $50 per minute
- Surround 5.1 MixingAverage price - $100 per minute
- RestorationAverage price - $100 per hour
- Max Richter
- Ólafur Arnalds
- Hania Rani
- Geithain RL903
- Neumann KH310
- Neumann KH750 DSP
- Neumann KM184
