hit records, t ansyto, kanis
As an Producer/ Engineer myself I understand the desire for my peers to manifest that perfect song that you hear in your head and turn it into a reality. My role isn't to get behind the mixing board and approach your music like a science project, but instead my goal is to maximize the creativity hidden in the song so that it can stand out and feel timeless.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Interview with tizèbeatz
Q: Analog or digital and why?
A: I used to be very analogue-focused. Over time I’ve gone almost completely digital. There is a place for analogue for those that can afford it, but until I make a living from the work that I do I’ll be sticking to virtual instruments and digital production mostly
Q: What's your 'promise' to your clients?
A: I never make promises. Life can throw insane curveballs and it would be dishonest to go against my moral value of never making promises.
Q: What do you like most about your job?
A: My favourite thing about this profession is being able to materialise the most beautiful of creative ideas that a music artist has.
Q: What questions do customers most commonly ask you? What's your answer?
A: What is your turnaround time for the product?
Q: What's the biggest misconception about what you do?
A: That I’m going to deliver a track that is ready for national radio play. I’m just starting out. We all start out somewhere. I’m certainly not there yet.
Q: What questions do you ask prospective clients?
A: I would like to know the following first: What style are you going for? What purpose do you have in mind for this track? What do you expect of me? Is there anything cool you’re thinking of trying that you haven’t mentioned?
Q: How would you describe your style?
A: My style is very creative, flexible and spontaneous. The song, it’s meaning and the creative process always comes before the production process.
Q: Can you share one music production tip?
A: Don’t overthink it! That’s a general life lesson, but it applies to music production too.
Q: What type of music do you usually work on?
A: I usually work on Hip-Hop, Rnb, konpa, dancehall ,afrobeat, pop and Industrial music
Q: What's your strongest skill?
A: My strongest skill is the ability to see the bigger picture. I don’t find myself spending too long on specific processes to the point where I can never finish a project. This is important for me to get the balance of my work ethic right.
Q: Tell us about your studio setup.
A: My setup can vary, as I like to keep my ears fresh yet comfortable enough to deliver an amazing product every time. There are a few recording studios I work out of besides my personal setup. Pro Tools is my Daw of choice; has been since 2010. for some reasons i like windows computer, UAD Apollo, Adam 5,Yamaha HS8's, NS-10 monitors,
Q: Describe the most common type of work you do for your clients.
A: The most common type of work I do with my clients is mixing, mastering, recording, beat making, producing and songwriting
- Recording StudioAverage price - $500 per day
- Mastering EngineerAverage price - $70 per song
- Mixing EngineerAverage price - $400 per song
- ProducerAverage price - $400 per song
- Beat MakerAverage price - $400 per song
- Ghost ProducerAverage price - $500 per song
