Music Producer/Film Composer

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: I did the music for one of the most important Italian tv series, SUBURRA III, premiered on Netflix in December 2020.

Q: What are you working on at the moment?

A: Actually i work with several project for my client and also for my own production, i am also producing music for series and film.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: Nope.

Q: Analog or digital and why?

A: My grandMa always said me, the best is in the middle.. So hybrid set-up for me is the best, a lot of analog gear and fx send signals converted by fine AD/DA and mixed into the DAW, and of course treated also with plugin.

Q: What's your 'promise' to your clients?

A: I never do big promise, but i do the most important one, i promise to my client to take out of their project/brain the life they need for.

Q: What do you like most about your job?

A: I really love to live with and for music.

Q: What questions do customers most commonly ask you? What's your answer?

A: People mostly asks me how to reach big platform to release their music. My answer really depends by the level of the client music and about the service he is looking for..

Q: What's the biggest misconception about what you do?

A: Never experienced a misconception about what i do.

Q: What questions do you ask prospective clients?

A: Essentially i need to know their taste and their preference in music.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Try to be more precise and clear as possibile in communication, and be ready to listen to your project in another dimension.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: Kijimi, Deckyards dream, Perfourmer, Virus Ti2, Moog Matriarch.

Q: What was your career path? How long have you been doing this?

A: I am a producer and a Dj from 2010, i released and release music with some of the most important platform ever in the scene, like Univesal-Music or Afterlife runned by Tale of Us.

Q: How would you describe your style?

A: With a lot of drama for sure.

Q: Which artist would you like to work with and why?

A: I would love to work with Pete Namlook, but i think it will not be possible as it passed away times ago.

Q: Can you share one music production tip?

A: Stay minimal, clear and ordinate in the project as much as possible.

Q: What type of music do you usually work on?

A: Techno, Melodic-Techno, Melodic-House, Ambient, Drone.

Q: What's your strongest skill?

A: Strongly passion for what i do, and a full learning process for my client.

Q: What do you bring to a song?

A: The character, everything that a song need to be not forgotten in the million tracks in the scene..

Q: What's your typical work process?

A: I firstly start look for what my client asking for, i try to discover my client preference and interests, then i put my 100% to make his project as he dreamed.

Q: Tell us about your studio setup.

A: I Used an old studio for like 10 years, but actually in 2022, i restored it and now it has a really big weight arsenal. Mac Studio: M1 20 Core, 128GB RAM Monitor Section: Genelec 1238 A, Focal Clear Headphone, Apogee Symphony MkII 16x16 Main Synth Section: Waldorf Quantum, Black Corporation Kijimi, Black Corporation Deckyards Dream, Vermona Perfourmer, Moog Matriarch, Erica Synth Techno System A lot of Pedals and Outboards unit

Q: What other musicians or music production professionals inspire you?

A: I am fully inspired by Pete Namlok, Plastikman, James holden and the full Border Community group.

Q: Describe the most common type of work you do for your clients.

A: I follow my client from the start of the track to the final mixdown, or for example, i help my client in specific group instrumental section or on a specific instrument, it depends mostly about the client necessity.