Indie Mixing I Mastering

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: Deerhunter's "Why Hasn't Everything Already Disappeared". I came on in the final third of the making of this record as a engineer/producer and, ultimately, mixer. I was lucky to be working with a group of such gifted and daring creative people who pushed me further than anyone else had before. I'd never worked in a less structured studio process and that record would not have come to fruition any other way. Totally eliminating boundaries opened the door to a whole different dimension in the band's vocabulary for the record - it was liberating. I was just doing my best to keep up with the pace of the session, facilitate ideas and help lace them up in the end, and this is what my role should be!

Q: Analog or digital and why?

A: Both, depending on availability and sensibility. Gear rarely determines outcome, but rather the process to get there.

Q: How would you describe your style?

A: I am a product of the 90's, so I came up hearing a lot of independent music that feels raw and unapologetic. Whatever the style, whether I'm dealing with a 4-piece rock band or an electronic artist, I still crave and push for that quality in every piece of music I work on.

Q: What do you bring to a song?

A: Only as much as it needs. I approach each project with the goal to understand the true, honest identity of the artist I'm working with and roll with that. For some projects, I need to stay out of the way and showcase the raw energy of the band, for other artists I need to create more of a journey.

Q: What's your typical work process?

A: Whether it's recording or mixing, I like to be prepared and get all the technical basics set up ahead of time. This allows me to unleash everyone’s full creativity later on in the process. I want to minimize friction between an idea and its realization and stay as flexible as possible.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: Callum Barter and Larry Crane are both great people and excellent professionals.

Q: What other musicians or music production professionals inspire you?

A: Chris Walla is a producer who first made me realize how artistic the recording process can be and how instrumental it is in shaping how we perceive and connect with artists. I have also been lucky to have had incredible mentors throughout my career (Jason Kingsland, Ben Allen, Matt Goldman, Bradford Cox), who continue to inspire me.

Q: What do you like most about your job?

A: I get to do something that I truly love and see purpose in everyday. It comes with a lot of challenges and sacrifices, but that ensures that I will only do this for as long as I truly love it. Also, I get to bring my dog to work!

Q: What's your 'promise' to your clients?

A: I will live and die by your record just as much as you do, maybe more.

Q: What type of music do you usually work on?

A: Different shades of independent rock, sometimes more electronic, sometimes more organic.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Know what your vision is and how far you're willing to take it. If all you need is a properly blended, "punchy" mix that otherwise sounds just like your demo or rough, some providers (and their rates!) are suited better to that than others.

Q: Tell us about your studio setup.

A: I do most of my work out of Maze Studios in Atlanta, GA, which is packed with great gear and toys. I also have a lean, but mean private mixing and production facility. In practice, the two flow together and I love oscillating between these spaces. This setup also keeps me nimble and able to adjust to most budgets.

Q: What are you working on at the moment?

A: Probably mixing several records at the same time!

Q: What was your career path? How long have you been doing this?

A: I came up as a touring artist and fell in love with the studio world from that side of the glass. The transition came naturally to me. I quickly progressed from an intern sweeping floors at now defunct Glow In The Dark Studios, to staff engineer and studio manager at Ben H. Allen's Maze Studios in Atlanta, which is still my home base as an independent engineer today, almost 10 years later.

Q: Can you share one music production tip?

A: Pay attention to the happy accidents. Does the guitar amp you're trying to record sound great through the drum overheads that you left unmuted by mistake? Cut it!

Q: Describe the most common type of work you do for your clients.

A: I've worn most hats you can wear in a studio. Producer, engineer (often both at the same time!), and mixer. Recently I have been most excited and focused on mixing.