If one of my clients who was on The Voice China wants to record with me, you should too! I'll professionally record, mix, and master your track and you can have as many edits as you want.
I have an M.M. from Berklee College of Music, and currently I manage two electronic artists and do freelance recording and mixing. I have also taught guitar and done music transcription, as well as having been a former Label Manager/A&R.
I am currently based in Amsterdam, and I offer bespoke studio recording and audio mixing and mastering services. I have worked with indie singer-songwriters, tabla players, Central Asian ensembles, saxophonists, oudists, Latin musicians, vocalists, and more. While I specialize in recording and mixing, I can master your music and produce beats for you as well.
N.B. Mixing is done remotely in-the-box and studio recording can be wherever you want.
Tell me about your project and how I can help, through the 'Contact' button above.
Credits
4 Reviews
Endorse Harry D'Antonio DryHarry makes every project memorable. I have worked with him on several projects - as a Tabla player, music composer and as a percussionist in the Central Asian ensemble, and every moment has been memorable.
Harry's listening skills, IT skills and the his musical sensibilities make him stand out as a profession recording, mixing and mastering engineer.
(On a lighter note, Harry loves this Indian sweet called Gulaajamun, and a good Latte keeps him going !! )Can't recommend Harry enough. The guy's got crazy ears and holds himself and his work to a high standard. Best thing is he's a trained musician, so he gets it. Looking forward to working with him again because he's worth every penny!
Harry produced two of my songs in 2019 and we had such a great time making music together!
He’s very patient and a great listener when it comes to understanding what an artist wants out of a session. He’s a hard worker who’s never afraid of a challenge and always finds solutions with great calm. Furthermore, Harry has worked with a wide range of music genres and his input is very valuable if an artist would like to step out of their omfort zone and experiment with sound. Overall, Harry’s very professional and just great at what he does!Can't recommend Harry enough. The guy's got crazy ears and holds himself and his work to a high standard. Best thing is he's a trained musician, so he gets it. Worth every penny!
Interview with Harry D'Antonio Dry
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Diego Demarco; he is fantastic at mixing and mastering on large consoles and in-the-box.
Q: What questions do you ask prospective clients?
A: What's your budget? What's your sound? Do you have a good idea of what you want to hear? Who are some people that inspire you? What will this be used for?
Q: What advice do you have for a customer looking to hire a provider like you?
A: It's easier and smoother for both of us if you have a clear vision and can communicate what you want!
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: 1x LA-2A Compressor, 1x API 550 EQ, 2x Yamaha NS-10s, Neve 1073
Q: Can you share one music production tip?
A: Pay attention to your levels, and make sure you have an idea of what instrument or part will be taking the lead in the mix. With EQ, less is more!
Q: What type of music do you usually work on?
A: Personally, I work on my own electronic music, but for clients, it depends on them and what they come with.
Q: What's your strongest skill?
A: Level matching, mixing, and understanding what you're trying to achieve.
Q: What do you bring to a song?
A: A wide music vocabulary, high-quality education, work experience from all vantage points in the industry, and personal attention.
Q: What's your typical work process?
A: First, I look over your brief, or talk to you about what kind of sound you're looking for and what your process and thoughts behind the music are. If we're in the studio, we lay down a couple takes and do a rough mix to see if we're on the right track. If we're just mixing, I'll ask you for a reference track to compare.
Q: What other musicians or music production professionals inspire you?
A: Steve Genewick, Ken Nelson, Galimatias, Flying Lotus, Coldplay, Gregg Allman, James Blake, Tame Impala
Q: Describe the most common type of work you do for your clients.
A: Studio recording, mixing, and production
- Mixing EngineerAverage price - $100 per song
- Mastering EngineerAverage price - $100 per song
- Recording StudioAverage price - $200 per day
- EditingAverage price - $40 per track
- Vocal TuningAverage price - $40 per track
- Time alignment - QuantizingAverage price - $50 per track
- Dialogue EditingContact for pricing
Unlimited revisions, 24-48 hour turnaround time (dependent on job), and studio recording is subject to additional costs
- Bon Iver
- Flume
- M. S. Subbulakshmi
- Mackie MR5 Monitors
50% off your first job, and tuning, editing, and quantizing is $110 for all three!