Hi, I'm Tom Frampton, owner of Mastering The Mix. Want to sound as good as your favourite artist? You've come to the right place.
As a music producer, you know that great-sounding FINISHED songs are your most valuable assets in your musical journey.
My goal is to help you get that song you’ve been working super-hard on sounding it’s absolute best!
I want your music to resonate with the people that listen and for it open doors to life changing opportunities. My mastering service has improved the sound of thousands of artists tracks, elevating the quality and improving the chances of success.
If you’re looking for a great sounding final master, then I can confidently say that you will be glad you decided to work with me.
Whether it’s a major label, chart topping artist, band or individual, people love the service I give and the sound I deliver. Hundreds of clients have left me a 5 star review after completing a project with me, just scroll down to read them.
Let's get your music sounding it's best! Contact me using the green button above and we'll get to work.
Tell me about your project and how I can help, through the 'Contact' button above.
655 Reviews - 120 Repeat Clients
Endorse Tom Frampton
check_circleVerifiedTom was very responsive and excellent to work with. Highly recommend!
check_circleVerifiedTom is so good! He's a God Send!!
- check_circleVerified
Tom really cleaned up my vocals so much!!! Very Highly impressed!
check_circleVerifiedTom is a superstar. No edits needed - he always nails the master of the first pass. Just played it out of 3 monitor sets, some headphones and a car and it’s masterful in each.Don’t hesitate with Tom - he’s the real deal.
check_circleVerifiedLoved working with Tom again. He was very patient with me and happily worked on the master until I was 100% happy. I really recommend working with Tom on your next track. He's a lovely and talented guy!
check_circleVerifiedThis was the trickiest piece of music I’ve worked on with Tom, and he was a true professional! The sound is fantastic, as always, but additional praise for how great it is to work with him as a human being. It’s always a pleasure.
- check_circleVerified
Always love working with Tom. I've done a dozen stem mastering projects with him and they always turn out superb quality. Always blown away with the results!
- check_circleVerified
Tom is a beast!!
check_circleVerifiedTom is the mastering master. An absolute genius at bringing out the best sound of anything you throw at him. HIGHLY recommend!
- check_circleVerified
Tom is so great to work with - I’ve said it before and I’m sure I’ll say it again!
Super professional, courteous and flexible and most importantly - he’s got a great ear! Always love working with him, so there will be even more of these reviews to come.
Interview with Tom Frampton
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I was especially proud to work with Tiesto stem mastering a few tracks. A remix for Calvin Harris and a remix for Niall Horan. For the Calvin Harris remix I was invited to his private studio complex in Amsterdam which was an amazing experience.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Working with an engineer with an ego can ruin a process that is supposed to be incredibly enjoyable. The service is about YOU, the customer, not about an engineers production credits. If both parties can be attentive listners and be humble, the end result will benefit.
Q: What's your strongest skill?
A: Bringing a mix to life. Sonically transforming the audio so it jumps out of the speakers and grabs the listeners attention.
Q: What's your typical work process?
A: Once I have the files from my client, I analyse them carefully. If there are any issues, I'll contact the client and advise on any necessary changes to help us achieve the best possible result. Once the files are all in order I get to work. I typically spend the first day getting the track to 95% of the way there. I then open the project again with fresh ears the following day and work on bringing it to 100%. I'll only send the track back to the client once I'm 100% happy with it. I'll then ask the client if they would like any sonic adjustments made to the track. I'm always happy to tweak the sound to suit the taste of my clients. This process has lead to a lot of happy, returning customers.
Q: Describe the most common type of work you do for your clients.
A: Most of my clients come to me for stem mastering. They prefer to give me complete control over the balance of their track. This usually speeds up the mastering process as I can fix more problems with stems than I can with a single file, as used in stereo mastering.
I was the Mastering Engineer in this production
- Pop
- House
- Hip Hop
- Rock
- Mastering EngineerAverage price - $100 per song
We'll have fun taking your music to it's fullest potential. Happy to give mix feedback when necessary. 2 rounds of revisions included per song. 2-3 working day turnaround. Let's get started...
- Stem Mastering For TiestoDec 07, 2016
In October, Tom Frampton from Mastering The Mix stem mastered My Way - Calvin Harris (Tiesto Remix) released on Columbia records.
- Mastering For Armada RecordsFeb 28, 2016
Tom Frampton was the mixing and mastering engineer on Max Vangelis new club smash, 'Blow This Club' released on No Face records, a sub label of Armada.
The Chainsmokers - "Love This. Really fresh sounding!"Nervo - "Love this, massive congrats"Sunnery James & Ryan Marciano - "Sick Tune!"Dada Life - "Fat!!!"Bingo Players - "Dope and fresh sound"Kryder - "Banger!"
