I've been writing, producing, recording, and mixing albums for myself and other artists since I first started working with Pro Tools 14 years ago, when I was in the 7th grade. I had completed over a dozen albums by the time I finished high school. I earned a bachelor's degree at a local recording school but I consider myself self-taught.
Tell me about your project and how I can help, through the 'Contact' button above.
Interview with Dylan Reznick
Q: Analog or digital and why?
A: Both. In my experience, tracking through great analog gear and then mixing in the box is the best way to reap the best of both worlds without comprosing the sound quality of analog gear or the superior workflow of the digital realm.
Q: Tell us about your studio setup.
A: I mainly work in Ableton Live, Cubase 8 and Pro Tools on a 2013 Mac Pro.
Q: What other musicians or music production professionals inspire you?
A: Noah "40" Shebib, Daniel Lopatin, Philip Glass, Kanye West, Lil B,
Q: Describe the most common type of work you do for your clients.
A: Music Production/Beatmaking, Vocal tracking, mixing, mastering
- Full instrumental productionAverage price - $400 per song
- Recording StudioAverage price - $500 per day
- Mixing EngineerAverage price - $400 per song
- ProducerAverage price - $400 per song
- Beat MakerAverage price - $400 per song
- Keyboards - SynthAverage price - $70 per song
- Sound DesignAverage price - $500 per minute
- 2013 Mac Pro
- Metric Halo ULN-8
- Barefoot MM-35s
- Aurora GTC-2
- API 5500
- Emprical Labs Fatso Jr.
- Mojave MA-200 tube condenser
- Summit 2BA-221 tube pre
- Roli Seaboard
- Roland Juno-6
