Professional mixing, mastering, and producing services at an affordable rate. I come from a background of working in top studios (Flying Pig Productions) and Music Editing for major motion pictures, while also mix/mastering for some of Los Angeles' biggest darkwave bands.
I have 14 years of experience in the world of audio engineering. My main genres are electronic, rap/trap, rock, and pop.
Send me an email through 'Contact' button above and I'll get back to you asap.
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Interview with Thiefdom Studios
Q: Describe the most common type of work you do for your clients.
A: Mixing and Mastering is the service I provide most. I also do take on producing and music editing gigs depending on the job and schedule.
Q: Tell us about your studio setup.
A: Ableton, Logic, huge eurorack/modular gear, LA-610 Universal Audio, Firepod, Presonus Sceptre s8 monitors, a plethora of mics and other gear.
Q: What's your typical work process?
A: Listen to a song, mix, send to client for notes, then hopefully song will be locked within just a couple passes. Same process for mastering.
Q: Can you share one music production tip?
A: Don't mix too loud! Ear fatigue is a real thing. If you can make it bump at a normal volume, it will bang harder louder.
Q: What was your career path? How long have you been doing this?
A: 14 years!
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: ableton, prophet 6, LA-610, a mic, and a guitar
Q: What questions do you ask prospective clients?
A: I will normally ask them to send me a few references mixes to give me a groundwork of how they want the final product to sound.
Q: What's your 'promise' to your clients?
A: We will get it right!
Q: Analog or digital and why?
A: There's definitely a place for both. Analog synths sound incredible, but there are things digital synths can do that will melt your face. Mix and match!
Q: What are you working on at the moment?
A: 3rd record for Thief
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I recently mixed/mastered/produced an album for a Los Angeles-based band called Clay Rendering. The stems they gave me were VERY raw, recorded on cheap equipment in untreated bedrooms. At the end of the project, I got it to sound pro like they had done it all in studio. Great success!