Award-winning Stereo and Dolby Atmos mixing+mastering. Hundreds of millions of streams, top playlist positions in Pop, Indie, and Rock as well as many #1's around the world. Unlimited free revisions on mixes.
Please contact me for a no obligation, no hassle quote. Always happy to chat. Every project is unique.😀
No compromise, world class mixing in both stereo and spatial, mastering, editing, and second to none vocal post-production. That's what I offer. I've been doing this full time for 20+ years, and I'm here to bring my expertise to your project.
Playlist of Atmos mixes: https://music.apple.com/ca/playlist/chris-perry-atmos-mixes/pl.u-LdbqEpguB93KP
SPECIAL: Dolby Atmos mixing at a substantially reduced rate when you book a stereo mix. Affordable Atmos mixes from tracks, stems, or even an existing mix. I use a hybrid mixing system offering the control of digital with the warmth of high end analog gear from SSL, Kush, and BURL Audio.
Have worked for all the major labels and I've won multiple Juno Awards (Canada's GRAMMYS), CCMA for Record Producer of the Year, 5 SOCAN #1 Awards, as well as a bunch of China Music Industry Awards.
I have worked with artists such as Softcult, Elita, BANNERS (Island/Universal) K.I.D (Columbia Records), Aidan Gallagher (Umbrella Academy), Nelly Furtado, XO-IQ (Make It Pop TV show on Nickelodeon), 曲婉婷 (Nettwerk, Universal Records China), Shawn Desman (BMG Records).
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Would love to hear from you. Click the contact button above to get in touch.
Credits
Discogs verified credits for Chris Perry (2)- An April March
- Various
- An April March
- Rhea's Obsession
- Colecovision
- Various
- Glenda Rush Calzado
- Robbie Lane & The Disciples
- Car Go Zoom
- Noisecore Freak / Murder By Static
- Rhea's Obsession
- K.I.D (Kids In Despair)
- Michael William Gilbert
- Michael William Gilbert
- The Whittingtons (2)
- An April March
- An April March
- An April March / The Curtain Society
- An April March
- An April March
- The Curtain Society
- An April March
- An April March
- Robbie Lane & The Disciples
- Jester's Destiny
- Splinter Cage
- An April March
- Various
- Various
- Sustain (10)
- Car Go Zoom
- An April March
- Dr. Minz And The Chronic Harmonic
- Dizzy Spell
- Almaz Tefferi*
- Rational Youth
- Trance To The Sun
- Various
- Chicklet
- Infernäl Mäjesty
- Rational Youth
- An April March
- Noisecore Freak / Murder By Static
- Various
- Various
- Translucia
- Sparrow Orange
- Beef Terminal
- Various
- Beef Terminal
- Noisecore Freak
- Various
- Chicklet
- K.I.D (Kids In Despair)
- K.I.D (Kids In Despair)
- Various
- Various
- Michael William Gilbert
- Michael William Gilbert
- Michael William Gilbert
- Trouser
150 Reviews - 31 Repeat Clients
Endorse Chris Perry
check_circleVerifiedExcellent work as always, with a quick turnaround.
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Chris was super accommodating of our request for the repair of audio containing substantial static and even provided insight on the language norms of the Japanese guests featured in this episode.
check_circleVerifiedChris is my guy he gets the job done at a high level.
check_circleVerifiedChris always gives me the extra support I need, that extra detail on the mix before and after the master which helps me understand how I can improve, or help his process. It's truly appreciated.
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Chris transformed an unlistenable audio track full of pops and static to a clean, crisp miracle. Thank you, Chris!
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Working with Chris was wonderful. He mixed, mastered, and tuned the vocals on my band’s debut single; the results exceeded all our expectations.
Chris brought a whole new dimension to the track, seamlessly blending the snare, kick, vocals, guitars, and bass together. The balance and the interaction between elements was superb, his attention to detail is next to none.
I can’t recommend Chris enough. We’re beyond thrilled with the outcome and can’t wait to work with him again in the future!
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Exceptional! His attention to detail is second to none, and he's a terrific guy as well. Always recommend
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Chris never refuses to try a fix, and often he makes magic! He transformed a quite severely reverberant podcast track and smoothed out numerous content edits seamlessly.
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Chris always does an excellent job with deliverables that enhance and bring out the best in the music!
check_circleVerifiedChris is a beast ! I will definitely be coming back !
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Chris transformed a weak recording into a professional broadcast.
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This was my first time having a song mixed by Chris and he absolutely crushed it ! The vocals very super crisp, drums tight and the bass did exactly what it needed to do ! He really understood the song, the references. He was also easy to work with regarding our (very small) modifications requests
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Chris is just the best. Makes my life a lot easier!
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Chris made magic on my most recent podcast episode, dramatically minimizing a reverberant speech track, cleaning up background noises and delivering broadcast quality audio from un-mic'd sources.
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Forever grateful for Chris' patience and expertise when it comes to someone like me. I can easily lose my perspective at the mastering stage of the process, when I've been part of every stage before. He is top tier at what he does.
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CP is my guy. He doesn’t miss deliver satisfaction and professionalism at the highest level has a great ear for music and sound.
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Very professional, easy to communicate. More songs!
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Chris received misaligned tracks that had been gated during capture and applied his mastery to minimize phase and leveling issues. Couldn't be happier!
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5 star work as always for my podcasts! If you want to achieve consistency and seamless workflow, Chris is your best bet.
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Chris has the ability to look into a track and bring out layers and highlights in a way that really enhances the immersive experience!
Interview with Chris Perry
Q: What are you working on at the moment?
A: A lot of atmos mixes!
Q: Analog or digital and why?
A: Both, but mostly digital. There is a time and a place for a lot of analog gear, whether it be outboard or a bunch of guitar amps. To me, the digital modelling is pretty much there, and the flexibility of digital is absolutely required for modern music mixing and production.
Q: What do you bring to a song?
A: A lot of experience is many facets of the music industry. I try to assist in creating music that makes an impact.
Q: Tell us about your studio setup.
A: I have a mixing and production studio in downtown Toronto. It is a modern based around a hybrid analog/digital setup
Q: Describe the most common type of work you do for your clients.
A: I specialize in mixing (both stereo and atmos), post production editing, as well as full productions.
Q: What's your 'promise' to your clients?
A: That they will be happy with the end result.
Q: What's the biggest misconception about what you do?
A: The belief that quality gear will lead to quality results. Don't get me wrong, good gear is fine, but it's all about the skill and creativity of the operator.
Q: What questions do you ask prospective clients?
A: "What are you planning to do with this project once it is mixed and mastered?" The answer to this question generally answers every other question I could possibly ask!
Q: Can you share one music production tip?
A: Limit the number of tracks in your productions. Create engaging and empowering parts that give the listener something to hang on to. Don't layer a bunch of fog into it.
Q: What type of music do you usually work on?
A: Mostly broad-stokes pop music. From alternative, to rock, to country, to R&B, but mostly fairly mainstream commercial music.
Q: What's your strongest skill?
A: My intuition. I think that in mixing and producing, it's all about having a sense of what will work, and how to get there. So, I think my strongest skill is having a good sense of these things.
I was the Mixing Engineer in this production
- Spit It Out by Softcult
- Serial Killer by Elita (binuaral Atmos-listen on headphones only)
- Other Woman by Danyka
- Mixing EngineerAverage price - $500 per song
- Dolby Atmos & Immersive AudioAverage price - $300 per song
- Mastering EngineerAverage price - $70 per song
- Vocal TuningAverage price - $50 per track
- Podcast Editing & MasteringContact for pricing
Mixes include: Unlimited revisions, standard alts+subgroup stems. Typical lead time is 7-10 days. Mixing doesn't include Tuning, Editing etc. Audio sent after mix starts subject to additional fee.
- SSL Fusion
- Dangerous Analog Summing
- Burl B2 ADC and DAC
- Focal Monitoring. Mac
- Studio One 5
- Pro Tools Ultimate
- Logic Pro
- Melodyne Studio 5
- Revoice Pro
- Tons of UAD
- UBK
- All of the plugins!
Atmos (Spatial) mixes discounted for stereo mix clients!
