Award-winning Stereo and Dolby Atmos mixing+mastering. Hundreds of millions of streams, top playlist positions in Pop, Indie, and Rock as well as many #1's around the world. Unlimited free revisions on mixes.
Please contact me for a no obligation, no hassle quote. Always happy to chat. Every project is unique.😀
No compromise, world class mixing in both stereo and spatial, mastering, editing, and second to none vocal post-production. That's what I offer. I've been doing this full time for 20+ years, and I'm here to bring my expertise to your project.
Playlist of Atmos mixes: https://music.apple.com/ca/playlist/chris-perry-atmos-mixes/pl.u-LdbqEpguB93KP
SPECIAL: Dolby Atmos mixing at a substantially reduced rate when you book a stereo mix. Affordable Atmos mixes from tracks, stems, or even an existing mix. I use a hybrid mixing system offering the control of digital with the warmth of high end analog gear from SSL, Kush, and BURL Audio.
Have worked for all the major labels and I've won multiple Juno Awards (Canada's GRAMMYS), CCMA for Record Producer of the Year, 5 SOCAN #1 Awards, as well as a bunch of China Music Industry Awards.
I have worked with artists such as BANNERS (Island/Universal) K.I.D (Columbia Records), Aidan Gallagher (Umbrella Academy), Nelly Furtado, Softcult, Elita, XO-IQ (Make It Pop TV show on Nickelodeon), 曲婉婷 (Nettwerk, Universal Records China), Keshia Chante (BMG Records).
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Credits
Discogs verified credits for Chris Perry (2)- An April March
- Various
- An April March
- Rhea's Obsession
- Colecovision
- Noisecore Freak / Murder By Static
- Rhea's Obsession
- K.I.D (Kids In Despair)
- The Whittingtons (2)
- An April March
- An April March
- An April March / The Curtain Society
- An April March
- An April March
- The Curtain Society
- An April March
- An April March
- Jester's Destiny
- Splinter Cage
- An April March
- Various
- Various
- Sustain (10)
- An April March
- Dr. Minz And The Chronic Harmonic
- Almaz Tefferi*
- Dizzy Spell
- Rational Youth
- Trance To The Sun
- Various
- Chicklet
- Infernäl Mäjesty
- Rational Youth
- An April March
- Noisecore Freak / Murder By Static
- Various
- Various
- Translucia
- Sparrow Orange
- Beef Terminal
- Beef Terminal
- Noisecore Freak
- Various
- Chicklet
- K.I.D (Kids In Despair)
- K.I.D (Kids In Despair)
- Various
- Trouser
106 Reviews - 23 Repeat Clients
Endorse Chris Perry
check_circleVerifiedAlways a five star experience with Chris! Makes my life easier, and he removed substantial background noise on this podcast.
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Awesome as ever. Always a pleasure to work with Chris.
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Chris is a consummate professional. Editing can be a pain at times, but he always finds a way to get the job done. Nothing but good things to say!
check_circleVerifiedChris mixed the biwa, a Japanese instrument. I was amazed when I heard the finished sound. It sounded as vibrant and wonderful as when I heard it live.Thanks again for the great mix!!
check_circleVerifiedMy Favorite Mixer on this site. Great work
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Working with Chris on my project was a true pleasure. an exceptional mixer engineer who not only understands the artist's vision but also offers unlimited revisions to ensure the perfect mix. Chris's attention to detail and artistic understanding brought out the best in my tracks, and their commitment to customer satisfaction was evident throughout the process. If you're seeking a great mixer who will go the extra mile to deliver exceptional results, Chris is the ideal choice.
check_circleVerifiedChris is great. He's talented and responsive. Love the mix he did for me which elevated the sonic level of the song.
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Excellent as always!
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Chris is simply great. I have these instructions that should annoy most mixers. But, Chris not only listens and delivers.
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Our collaboration with Chris is always a pleasure. He mixed and masted our third R&B banger "Higher" to perfection!
check_circleVerifiedChris is special to me. He was the first proper engineer to mix one of my tracks and the second song we ever did together sits at over 2.5 million streams today. He's kind, accomodating and most importantly great at engineering. For our latest project together he was very flexible in helping out in the way that I needed for this project, going above and beyond to help me reach my goal for the song. I'll recommend Chris all day every day!
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Chris went above and beyond as usual to improve the sound, even handling unforeseen technical delays that weren't his fault with professionalism and class. Can't say enough good things about this working relationship.
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I'm a repeat customer of Chris Perry, and his mixes are truly outstanding. This time, I was particularly pleased with the quality of his initial mix, and the entire project went seamlessly. Once again, I want to express my gratitude for the amazing mix!!
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Chris continues to provide nothing but stellar work and high professionalism. He is reliable, quick, timely (usually early), and committed to quality over all else. My podcasts sound better (pun intended).
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Chris is the best podcast post engineer I've worked with thus far. Super professional work style and knows what he's doing. Great first impression during initial phone call, and the work speaks for itself. He's making my life easier, and that's the point of it all!
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Chris was really patient with me and helped to bring the song to life. Highly recommend!
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Chris Perry's mix was the most satisfying I've ever worked with a variety of engineers. He seemed to understand the song I was trying to make, and he responded to my requests precisely.
Thanks again for everything!! 
check_circleVerifiedChris was amazing. Took the time to explain his recommendations and share his expertise. Will definitely be doing more work with him.
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This is my second time working with Chris, who did a superb job mixing and mastering a highly important song for my R&B artist. He is very patient and professional. With his technical skills we were able to create a massive masterpiece.
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Chris was awesome to work with - I'm really happy with the finished product and look forward to working with him again on more songs!
Interview with Chris Perry
Q: What are you working on at the moment?
A: A lot of atmos mixes!
Q: Analog or digital and why?
A: Both, but mostly digital. There is a time and a place for a lot of analog gear, whether it be outboard or a bunch of guitar amps. To me, the digital modelling is pretty much there, and the flexibility of digital is absolutely required for modern music mixing and production.
Q: What do you bring to a song?
A: A lot of experience is many facets of the music industry. I try to assist in creating music that makes an impact.
Q: Tell us about your studio setup.
A: I have a mixing and production studio in downtown Toronto. It is a modern based around a hybrid analog/digital setup
Q: Describe the most common type of work you do for your clients.
A: I specialize in mixing (both stereo and atmos), post production editing, as well as full productions.
Q: What's your 'promise' to your clients?
A: That they will be happy with the end result.
Q: What's the biggest misconception about what you do?
A: The belief that quality gear will lead to quality results. Don't get me wrong, good gear is fine, but it's all about the skill and creativity of the operator.
Q: What questions do you ask prospective clients?
A: "What are you planning to do with this project once it is mixed and mastered?" The answer to this question generally answers every other question I could possibly ask!
Q: Can you share one music production tip?
A: Limit the number of tracks in your productions. Create engaging and empowering parts that give the listener something to hang on to. Don't layer a bunch of fog into it.
Q: What type of music do you usually work on?
A: Mostly broad-stokes pop music. From alternative, to rock, to country, to R&B, but mostly fairly mainstream commercial music.
Q: What's your strongest skill?
A: My intuition. I think that in mixing and producing, it's all about having a sense of what will work, and how to get there. So, I think my strongest skill is having a good sense of these things.
I was the Mixing Engineer in this production
- Spit It Out by Softcult
- Serial Killer by Elita (binuaral Atmos-listen on headphones only)
- Other Woman by Danyka
- Another Bish by Softcult
- Mixing EngineerAverage price - $350 per song
- Dolby Atmos & Immersive AudioAverage price - $300 per song
- Mastering EngineerAverage price - $70 per song
- Vocal TuningAverage price - $50 per track
- EditingAverage price - $50 per track
Mixes include: Unlimited FREE revisions. Industry standard alts+subgroup stems. Mixes are done on 1st-come 1st-served basis. Typical lead time is 7-10 days. Mixing doesn't include Tuning, Editing etc.
- SSL Fusion
- Dangerous Analog Summing
- Burl B2 ADC and DAC
- Focal Monitoring. Mac
- Studio One 5
- Pro Tools Ultimate
- Logic Pro
- Melodyne Studio 5
- Revoice Pro
- Tons of UAD
- UBK
- All of the plugins!
Atmos (Spatial) mixes discounted for stereo mix clients!
