creating a unique voice for the unseen and unspoken elements in every project.
los angeles-based composer, arranger, and vocalist.
media composer + game audio
- creating original scores and soundtrack elements for film, tv, video games, xr, commercial, and web content.
- experience in concert, theatre, musical theatre, dance, and lbe music and audio.
- special interest in documentary and science-fiction projects, and therapeutic / educational video games.
- my music has been heard on fox, tlc, showtime, pbs, and on movie screens around the world.
- video game credits include mobile, console, web-based, vr, mr, and pc games + wwise proficiency.
singer - male
- high tenor. pure quality. classical, musical theatre, contemporary, and pop / rock experience.
- soundalikes: ben gibbard (death cab), thom yorke (radiohead), ben folds, jonsi (sigur ros).
- string and orchestral arrangements
- fully produced mockups using high-end virtual instruments
- score and part preparation (additional cost)
- live recording sessions (additional cost)
orchestral arrangement of "into the clouds" by the sound of arrows:
please get in touch if you'd like to discuss a potential collaboration.
Send me an email through 'Contact' button above and I'll get back to you asap.
1 Reviews - 1 Repeat ClientEndorse andrew m. edwards
A beautiful sound track and orchestration. None of the MIDI instruments Andrew used or created for our show sounded cheap. The one hour program he scored and recorded sounds as if there were 15 orchestra instruments in the studio. The closing sweep for each section of this documentary were truly amazing. He was able to create great emotions as directed by our creative team. FIRST CLASS
Interview with andrew m. edwards
Q: Describe the most common type of work you do for your clients.
A: creating bespoke music for film, tv, web series, video games, and the stage, specializing in drama, horror, sci-fi, and documentary.
Q: What other musicians or music production professionals inspire you?
A: depeche mode. bernard herrmann. cocteau twins. jerry goldsmith. pet shop boys. steve reich. siouxsie and the banshees. wendy carlos. elliot goldenthal. arvo pärt. sígur rós. björk. john williams. troye sivan.
Q: Tell us about your studio setup.
A: home studio with live recording capabilities. three macs. large 4k video monitors. motu 828. furman power conditioners. custom sit-stand desk. guitars, bass, aux percussion. komplete kontrol midi controller. ipad running touchosc. behringer x-touch mixer. akai mpd drum pads. akg and audi-technica microphones. jbl dolby-certified studio monitors. comfy chair. cat.
Q: What's your typical work process?
A: spot through the project with the director. create iterations of music for notes. receive notes - begin revisions. send in revisions for notes. final approval. orchestral / instrumental / vocal recordings. final mixes and delivery. i like to keep it easy and streamlined.
Q: What do you bring to a song?
A: a passionate love of, and a long history with, film and popular music. a distinctive point of view. a collaborative spirit.
Q: What's your strongest skill?
A: knowledge of the repertoire, harmony, grooves, hooks, licks.
Q: What type of music do you usually work on?
A: cinematic hybrid orchestral-electronic music. pop / rock / edm / industrial music. classic-sounding film scores.
Q: Can you share one music production tip?
A: make sure all of the instruments sound like they are populating an imaginary studio or stage space. if they are not coherent-sounding, the music won't be either.
Q: Which artist would you like to work with and why?
A: Frankmusic or Troye Sivan: They are both outstanding writers / producers, and I feel like I could bring something new and distinctive to their already-brilliant work.
Q: How would you describe your style?
A: Minimalist hybrid pop.
Q: What was your career path? How long have you been doing this?
A: BA in Music Composition / Theory. Music and Theatre educator for 5 years. Theatre audio technician for 5 years. MFA in Film Music. 8 years teaching at the graduate level. Composing for film and theatre for over 20 years.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Prophet 5. Mac Laptop. Good speakers. Good headphones. Harddrive containing all of my CDs and every episode of Doctor Who from 1963-present.
Q: What advice do you have for a customer looking to hire a provider like you?
A: know what you want, but know when to let go. be clear about budget, milestones, and expectations.
Q: What questions do you ask prospective clients?
A: how can i help?
Q: What's the biggest misconception about what you do?
A: that every composer can compose every genre equally well.
Q: What questions do customers most commonly ask you? What's your answer?
A: customer: what are your rates? me: what's your budget?
Q: What do you like most about your job?
A: every project brings new and delightful challenges.
Q: What's your 'promise' to your clients?
A: it'll be done early.
Q: Analog or digital and why?
A: combination of both: digital for optimization, analog for warm saturated goodness.
Q: What are you working on at the moment?
A: a documentary series. library tracks. new album of cinematic music. mediation album.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I was the composer for the horror-comedy feature, "Camp Wedding" (currently making the festival rounds). Working with one of my favorite directors on our first feature together. The film has won several awards, including one for Best Music. Proud to have been involved in this upstart independent project.