
Creating in the undergrowth of the music industry.
I Produce records. Love experimenting with sound and mixing. Writing & producing with artists, from studios in London to the lush green outdoors in Somerset.
Tell me about your project and how I can help, through the 'Contact' button above.
Credits
AllMusic verified credits for Tom Wilding- Melanie C
- Melanie C
- Melanie C
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Emika
- Gabrielle Aplin
- Shane Filan
- Steve Day
- Steve Day
- Steve Day
- Shane Filan
- Shane Filan
- Lund Quartet
- Blazing Flame
- Blazing Flame
- Gabrielle Aplin
- JBBG
- JBBG
- Saint Raymond
Interview with Tom Wilding
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Loved working with writing and producing with Melanie C on her latest album
Q: What are you working on at the moment?
A: will need permission for that!
Q: Analog or digital and why?
A: Digital and Analogue. Digital for all its time saving, precision and vastness. Analogue for forcing you to be creative though its boundaries.
Q: What's your 'promise' to your clients?
A: bringing out the best in them
Q: What do you like most about your job?
A: Being in the moment creating
Q: What questions do customers most commonly ask you? What's your answer?
A: Do you think this (the piece of music we are working on) is any good? Answer: You really can't make a judgment until its finished. You never know whats going to happen during the process, trust and enjoy it.
Q: What's the biggest misconception about what you do?
A: not sure?!
Q: What questions do you ask prospective clients?
A: Do you live in Bristol! I want to work with more local people.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Have a clear timeline for the project.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: a mic, digitakt, ms-20, 303, sennheiser hd650
Q: What was your career path? How long have you been doing this?
A: In a band since 2004, and going strong. Became a full time writer producer in 2014
Q: How would you describe your style?
A: ahead of our time
Q: Which artist would you like to work with and why?
A: hmm thats a tricky one
Q: Can you share one music production tip?
A: Creating space in the music for it to breath
Q: What type of music do you usually work on?
A: Not easy question to answer. I could say Pop, but i cross boundaries into electronic, instrumental, film,
Q: What's your strongest skill?
A: Feel
Q: What do you bring to a song?
A: Energy, ideas, arrangement, something different
Q: What's your typical work process?
A: Create, Produce, Enjoy.
Q: Tell us about your studio setup.
A: Live room filled with Drums, Baby Grand, Hammond Organ & 2 Leslies, Fender & Orange Amps, Vibraphone, Nord Stage 3, Trumpets, Guitars, Baffles, Didgeridoos etc! Production / Control Room integrated fully weighted keyboard desk, running Logic Pro X, UAD, MS-20, Mopho, Virus Ti2, Digitakt, Analogue Heat,
Q: Describe the most common type of work you do for your clients.
A: Production
- ProducerContact for pricing
- TrumpetContact for pricing
- Songwriter - MusicContact for pricing
- Full instrumental productionContact for pricing
- Track minus top-lineContact for pricing
- Film ComposerContact for pricing
- String SectionContact for pricing
I try to make sure you get what you want as fasts as possible. This includes working closely together through the whole process with updates at every stage.
- Melanie C
- Gabrielle Aplin
- Smerins Anti-Social Club
- UAD
- Townsend Sphere
- MS-20
- CS Reface
- Digitakt
- Analogue Heat
- Virus Ti2
- 808
- 909
- 303
- JP-03