Creating in the undergrowth of the music industry.
I Produce records. Love experimenting with sound and mixing. Writing & producing with artists, from studios in London to the lush green outdoors in Somerset.
Send me an email through 'Contact' button above and I'll get back to you asap.
Credits
AllMusic verified credits for Tom Wilding- Melanie C
- Melanie C
- Melanie C
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Gabrielle Aplin
- Emika
- Gabrielle Aplin
- Shane Filan
- Steve Day
- Steve Day
- Steve Day
- Shane Filan
- Shane Filan
- Lund Quartet
- Blazing Flame
- Blazing Flame
- Gabrielle Aplin
- JBBG
- JBBG
- Saint Raymond
Interview with Tom Wilding
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Loved working with writing and producing with Melanie C on her latest album
Q: What are you working on at the moment?
A: will need permission for that!
Q: Analog or digital and why?
A: Digital and Analogue. Digital for all its time saving, precision and vastness. Analogue for forcing you to be creative though its boundaries.
Q: What's your 'promise' to your clients?
A: bringing out the best in them
Q: What do you like most about your job?
A: Being in the moment creating
Q: What questions do customers most commonly ask you? What's your answer?
A: Do you think this (the piece of music we are working on) is any good? Answer: You really can't make a judgment until its finished. You never know whats going to happen during the process, trust and enjoy it.
Q: What's the biggest misconception about what you do?
A: not sure?!
Q: What questions do you ask prospective clients?
A: Do you live in Bristol! I want to work with more local people.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Have a clear timeline for the project.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: a mic, digitakt, ms-20, 303, sennheiser hd650
Q: What was your career path? How long have you been doing this?
A: In a band since 2004, and going strong. Became a full time writer producer in 2014
Q: How would you describe your style?
A: ahead of our time
Q: Which artist would you like to work with and why?
A: hmm thats a tricky one
Q: Can you share one music production tip?
A: Creating space in the music for it to breath
Q: What type of music do you usually work on?
A: Not easy question to answer. I could say Pop, but i cross boundaries into electronic, instrumental, film,
Q: What's your strongest skill?
A: Feel
Q: What do you bring to a song?
A: Energy, ideas, arrangement, something different
Q: What's your typical work process?
A: Create, Produce, Enjoy.
Q: Tell us about your studio setup.
A: Live room filled with Drums, Baby Grand, Hammond Organ & 2 Leslies, Fender & Orange Amps, Vibraphone, Nord Stage 3, Trumpets, Guitars, Baffles, Didgeridoos etc! Production / Control Room integrated fully weighted keyboard desk, running Logic Pro X, UAD, MS-20, Mopho, Virus Ti2, Digitakt, Analogue Heat,
Q: Describe the most common type of work you do for your clients.
A: Production
- ProducerContact for pricing
- TrumpetContact for pricing
- Songwriter - MusicContact for pricing
- Full instrumental productionContact for pricing
- Track minus top-lineContact for pricing
- Film ComposerContact for pricing
- String SectionContact for pricing
I try to make sure you get what you want as fasts as possible. This includes working closely together through the whole process with updates at every stage.
- Melanie C
- Gabrielle Aplin
- Smerins Anti-Social Club
- UAD
- Townsend Sphere
- MS-20
- CS Reface
- Digitakt
- Analogue Heat
- Virus Ti2
- 808
- 909
- 303
- JP-03