Frances approaches all of her projects with artist and clientele-focused production ensuring that the client’s ideas are well-translated and projected with intimate execution throughout.
Frances Inguillo is a mixer & mastering engineer, and sound designer based in Melbourne, Australia.
Starting her professional career in 2013, she is currently working and training under Simon Moro (Anthony Callea, Stonefox, Ariela Jacobs) and Justine Sloane-Lees (Helen Morse, Wendy Hughes, Max Gillies, Tracy Mann).
As a freelancing engineer, her roles are quite often varied. This effectively accumulates her vast knowledge of sound through recording, music production, and video game sound design and post production.
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Interview with Frances Inguillo
Q: How would you describe your style?
A: My style is flexible and I am able to cater to most clients from many different genres.
Q: What do you like most about your job?
A: Learning clients taste in music and their Spotify playlist and other interest outside of music. As well as supporting them and help them develop as an artist.
Q: What other musicians or music production professionals inspire you?
A: My mentor Simon, He taught me everything I know and made me more efficient and effective as an engineer while encouraging me to be creative as well.
Q: Analog or digital and why?
A: Hybrid, I love having to work with both since they all give me different flavours of sound. It is also very satisfying to hear the click sound when turning knobs.
Q: Which artist would you like to work with and why?
A: Anderson Paak, He seems to be fun to work with.
Q: What's your strongest skill?
A: Client communication/rapport along with creative mixing
Q: What's your typical work process?
A: A healthy amount of coffee to start the day in the studio