Online Mixing and Mastering

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: A local progressive metal band I worked with. Their album turned out incredible, a perfect marriage of raw energy and intricate soundscapes.

Q: What are you working on at the moment?

A: I'm always working on exciting stuff! At the moment a death metal band called Hammered Brain Coffin and a progressive rock band named Here At The Glass.

Q: Analog or digital and why?

A: I love the warmth and character of analog gear, but digital tools provide power and flexibility. I use both strategically to achieve the best possible results.

Q: What's your 'promise' to your clients?

A: I pour my heart and expertise into every project. My goal is to deliver mixes and masters that not only sound fantastic but capture the essence of your music.

Q: What do you like most about your job?

A: Helping artists bring their musical vision to life.

Q: What questions do customers most commonly ask you? What's your answer?

A: "How long will it take?" - It depends on the complexity of the project, but we'll discuss timelines upfront. "How much does it cost?" - Every project is unique, so let's chat about your specific needs and create a custom quote.

Q: What's the biggest misconception about what you do?

A: Mixing isn't just about making things loud. It's more about sculpting the sound and creating space, and tell a story.

Q: What questions do you ask prospective clients?

A: I like to understand your goals, the emotion you want to convey, and any reference tracks you have in mind.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Look for someone who understands your music and shares your vision.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: A good compressor, a versatile EQ, a trusty reverb unit, a high-quality mic pre, and a portable recorder. That's all I need to create magic!

Q: What was your career path? How long have you been doing this?

A: Been at it for over 20 years! Started as a musician myself, recording demos. The desire to capture the perfect sound grew into a full-blown passion.

Q: How would you describe your style?

A: Warm, detailed, and transparent. I strive to retain the heart of the recording while enhancing its sonic power.

Q: Which artist would you like to work with and why?

A: Almost impossible but that would be Pink Floyd. Their music is a tapestry of textures and emotions. Working with them would be a surreal experience.

Q: Can you share one music production tip?

A: Build a mix template that works every time but it's not restricting. Keep it as flexible as possible but limit yourself.

Q: What type of music do you usually work on?

A: As I mentioned, I love variety! Progressive rock, folk rock, metal, ambient – anything with a soul!

Q: What's your strongest skill?

A: Maybe it's my ability to blend the analog warmth with the precision of digital tools. But really, it's about listening – truly hearing what the music needs and making it shine.

Q: What do you bring to a song?

A: I bring a deep understanding of music, a meticulous ear for detail, and a passion for drawing out the emotion and power within a song.

Q: What's your typical work process?

A: It's all about collaboration. We start with a deep dive into the artist's vision, then I meticulously craft a mix that elevates the song while staying true to its essence.

Q: Tell us about your studio setup.

A: My studio has been leaning towards analog warmth lately. I've got a curated selection of analog gear alongside a powerful digital arsenal for flexibility. Think of it as the best of both worlds.

Q: What other musicians or music production professionals inspire you?

A: My heroes are the giants who walked the earth in the 70s, and the bands that pushed boundaries then. Their work is timeless!

Q: Describe the most common type of work you do for your clients.

A: I get a kick out of working on a diverse range of projects, but progressive rock, folk rock, death metal, and anything in between – ambient, experimental, acoustic, minimal – you name it! I love the challenge of bringing out the best in each genre.