Rock and Pop Mix engineer/Producer focused on delivering mixes that express the artist's vision, serve the song, and, highlight its strengths. I've been mixing and producing professionally since 2016. I've made records for several artists in Colombia but 2 years ago I moved to London to push my boundaries and keep developing my craft.
I love working with rock and pop genres or anything in between the two. I wouldn't take longer than 3 days to mix a song, all I need is your multitracks, the tempo, key if possible, and reference songs you like the sound.
For production just send over your ideas and demos and songs you're inspired by. I can create a full instrumental or finish your production if you feel blocked. This includes drums, bass, guitar, keys, synths, samples, and fxs. After your approval, you can record your vocals remotely or come to my studio in Hackney, London.
I'd love to hear about your project just click the 'Contact' button above to get in touch.
Send me a note through the contact button above.
Interview with Daniel Esteban
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Lika Nova's album. It was the first album I ever produced and engineered and the results were amazing. The guys from the band are incredibly talented and nice people. I learned a lot from them and together we did an awesome record. The sound, the concept, and the music make me really really proud.
Q: What are you working on at the moment?
A: Producing an album for a grunge band in London
Q: Analog or digital and why?
A: Both, nothing like combining both worlds.
Q: What's your 'promise' to your clients?
A: You’ll get what you're looking for.
Q: What do you like most about your job?
A: Get to enjoy new music and have fun with unique sounds.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Have a clear concept of what you want but be open-minded to try new things. Be fearless when is time to think out of the box.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: MacBook with Protools/Abelton Universal Audio Apollo Quad Shure Sm7b (with a cable 😝) A drum mahine (could be Lm2) One guitar
Q: What was your career path? How long have you been doing this?
A: I started 20 years ago playing in bands and doing albums. Then I learned audio engineering and producing at the university and touring with bands. 7 years ago I started working professionally as a producer and mixer.
Q: How would you describe your style?
A: Musical, which means if it has to be aggressive it will be a punch in your face and if it has to be soft it will be like a feather.
Q: Which artist would you like to work with and why?
A: Blink 182 because I grew up with their music and, because of them, I'm into music. Foals, they are such an interesting band full of different sounds, rhythms and textures.
Q: Can you share one music production tip?
A: Having a clear concept is the 50% of a song.
Q: What type of music do you usually work on?
A: I usually work with alt-rock bands, however, I have worked with indie-pop artists. Every music is welcome.
Q: What's your strongest skill?
A: The sound of my guitars. People always ask me about them.
Q: What do you bring to a song?
A: I try to bring more emotion and excitement to the songs I produce and mix. I do it through arrangements when I produce and with different mixing techniques when I mix.
Q: What other musicians or music production professionals inspire you?
A: Tame Impala, Green Day, Beabadoobee, Incubus, Blink 182, Royal Blood, The Strokes, Remi Wolf, Andrew Scheps, Steve Albini, Rob Cavallo, Kevin Parker, Joel Hamilton, Tom Dalgethy, Jerry Finn,
Q: Describe the most common type of work you do for your clients.
A: Tracking, Mixing, and producing for indie artists.
Q: What questions do customers most commonly ask you? What's your answer?
A: Do you master? I can but is not my expertise.
Q: What questions do you ask prospective clients?
A: I like to know the person musically, understand what he or she likes and dislike, in order to help improve or develop his or her style.
Q: Tell us about your studio setup.
A: I use a UA Apollo Quad with UAD plug-ins, also I have a Colombian custom made Dual discrete preamp. I have a VOX AC30 and a Roland Jazz chorus for guitars and pedals like keeley, T-rex, EHX, MXR, JHS, Earthquaker devices, etc. I have a nice set of microphones including sm57, sm7b, shure 819, 12 gauge RED, AKG c519, Sennheiser E945, etc.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not yet
Q: What's the biggest misconception about what you do?
A: That I am a DJ... I am not.
I was the Mixing Engineer in this production
- Mixing EngineerAverage price - $150 per song
- ProducerAverage price - $150 per song
- Vocal TuningAverage price - $50 per track
- Time alignment - QuantizingAverage price - $50 per track
- EditingAverage price - $50 per track
- Dialogue EditingAverage price - $50 per minute
- Electric GuitarAverage price - $50 per song
2 days for mixing a song with the possibility of 3 revisions.
Producing is a long work with the artist so the time will be decided with the client.
1 day for drums editing or cleaning dialogues.
- Foals
- John Mayer
- Foo Fighters
- Apollo Quad
- Event 2030
- Vox AC30
- Rolland Jazz chorus
- fender jazz master
- gibson explorer
- fender mustang
- sm7b
- sm57
- e945
- Camilo Silva Dual Discrete Preamp
- lots of pedals
- etc.
More than 10 songs get a discount!