Italian music producer, mix and mastering engineer from the city of Ferrara. I've published, produced, mixed and mastered music for a lot of independent label like Too Loud Records, Indelirium, This is Core, Epictronic, WormHoleDeath and others.
How much is a poorly produced song really costing you?
Do you want more from your music? Are you looking for radio-quality sound?
Hi, I’m Riccardo Daga—Music Producer, Audio Engineer, Composer, and Musician. I am also the founder of TITANS LAB Recording Studio, a creative hub built on passion, expertise, and professionalism.
📍 Based in Ferrara, Italy, near the historic city of Bologna, TITANS LAB offers reamping, online mixing, and mastering services for artists and bands worldwide.
Founded in 2013, TITANS LAB reflects my 15+ years of experience, shaped by performances on Italian and European stages and collaborations with various recording studios. With a degree in Multimedia and Audiovisual Communication Technology from the University of Ferrara, I dedicated my life to music production and audio engineering.
My mission? To bring out the energy, feel, and excitement in every track, ensuring artists achieve a professional sound that truly represents them.
🎛️ Your music deserves more. Let’s make it shine.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Credits
- Atlas:Empire
- Condemned AD
- Fankaz
- curt cannabis
- Saturday Night Bingo
- Enemy of the Enemy
- DVL
- Everlust
- Firpo Chompeavy
- Unzane
- Freak Show
- Areis
- The Lonely Harps Club
- Kelsey Badgrammer
- The Aurora
- Out In Style
- Wail
- Loft 47
- lost words
- Own Paw Thee Die
- ABOUT:BLANK
- Following The Signs
- 2Lightyears
- Dead Pollys
- Penny Was Right
- My Dinosaur Life
- Ohmniric
- Let It Slide
- One Last Yard
- Damn City
- Nobody Will Care
- Jamie Lee Smit
- Earthist
- Summer Of Hoaxes
- Fall Of Fame
- Malvina Victoria
- Sara Vanderheyden
- Forgotten Dream
- Nuraghe
- The Amnesia
- Worth
Interview with Riccardo Daga
Q: Analog or digital and why?
A: both. If it sounds good it doesn't matter if it's digital or analog.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: 1 - mac pro 2 - audio interface 3 - headphones 4 - one guitar 5 - mic
Q: How would you describe your style?
A: Really friendly but professional
Q: Which artist would you like to work with and why?
A: I would really work with bands with great personality and taste because i love the alchemy and the sound that can be created in these situations. Everything is connected to the sound if we are all focused on the music that we are creating.
Q: Can you share one music production tip?
A: If you make a great recording process everything will sound amazing and easy to do.
Q: What type of music do you usually work on?
A: from pop/rock to all core genre, but mostly punk and hardcore.
Q: What's your strongest skill?
A: I'm a musician and i perfectly understand what a songs need to be good and i have my own characteristic and recognizable sound.
Q: What do you bring to a song?
A: i have my own characteristic and recognizable sound. You can hear it on my productions.
Q: What's your typical work process?
A: Multitracks recording session. -drum recording -drum editing -bass recording with DI -bass editing -guitars recording with DI -guitar editing -reamp session -voices recording -voices editing -mix -master
Q: Tell us about your studio setup.
A: Really simple i work on ProTools and i'm able to follow all the steps for a great recording session. For the mix i tend to use gear from digital and analog world.
Q: What other musicians or music production professionals inspire you?
A: Will Putney,Jordan Valeriote and Kyle Black are my favourite sound engineer. They all have a typical sound on their productions.
Q: Describe the most common type of work you do for your clients.
A: I produce and record bands from all over the world in my studio with my specific approach. I tend to listen carefully every passage and note of the song. All my works follow specific passages since the recording session.
Q: What's your 'promise' to your clients?
A: I will always give you my 110%.
Q: What do you like most about your job?
A: Discovering new talented artists
Q: What was your career path? How long have you been doing this?
A: I live and work in the music industry since 2003. I started as a guitarist, composer and author and then i moved to production and recording. I really know what i'm talking about when you ask me about music industry.
I was the Produced, Engineered, Mixed, Mastered in this production
- Mixing EngineerAverage price - $500 per song
- Mastering EngineerAverage price - $50 per song
- ProducerAverage price - $1000 per song
- Recording StudioAverage price - $250 per day
- EditingAverage price - $100 per track
- Vocal TuningAverage price - $75 per track
- Electric GuitarAverage price - $100 per song
Mixing: limit of 3 revisions, i'll add 20$ for every additional revision.
Mastering: limit of 3 revisions, i'll add 20$ for every additional revision.
- Strung Out
- Counterparts
- Funeral For A Friend
- #IGS S-Type Buss Compressor #Focusrite ISA One #Warm Audio WA12 MKII #Universal Audio Apollo Twin #Focusrite Clarett 8PreX #Universal Audio UAD-2 Satellite Quad Core #Radial X-Amp
25$ on all my services
