
I offer recording, producing, and mixing for anything from single songs, to EP's, to full length albums. I also offer anything in between such as vocal comping, editing, quantization, and vocal tuning.
https://open.spotify.com/playlist/0s6XtJJkkgHJ3V5tdJQs9r?si=qT-NgDqmTPOXPpZu2xfzhg
Contact me through the green button above and let's get to work.
Credits
AllMusic verified credits for Alex Conroy- Cécile McLorin Salvant
- Gretchen Parlato
- Christopher Cerrone
- Hinds
- Quiana Lynell
- Plácido Domingo
- Pablo Sáinz Villegas
- Beth Leavel
- Laura Osnes
- Corey Cott
- Robert Rokicki
- Julius Rodriguez
- Naama Gheber
- The Baylor Project
- Cécile McLorin Salvant
- Gil Evans Orchestra
- Jason Robert Brown
- Grace McLean
- Grace McLean
- Simon Nabatov Quintet
- Julius Rodriguez
- Cécile McLorin Salvant
- Cécile McLorin Salvant
Interview with Alex Conroy
Q: Analog or digital and why?
A: A combination of both. I think using great analog gear on the way in makes a huge difference in the overall sound of things. Contrary to that, I love how easy the digital world can make our lives as engineers.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: U47, a pair of vintage 67s, a protools rig and a pair of headphones.
Q: What was your career path? How long have you been doing this?
A: I went to school at Berklee College of Music in Boston, MA right out of high school where I majored in Guitar Performance and Music Production & Engineering. I got to learn from some very talented musician and engineers while also learning how to work professionally. After graduating I moved to New York City where I started interning at small studios around town until I ended get a gig at the famous Avatar Studios. I worked my way up from Intern to Assistant Engineer. During my time there I got work with amazing musicians, engineers and producers. Also, we got to record a variety of styles of music. Everyday was never the same. Now I work as a freelance engineer, as well as staff engineer at The Bunker Studio in Brooklyn
Q: What type of music do you usually work on?
A: Generally, I work on jazz record. However, that changes a lot... One day it could be a rock project and the next could be a film score. I like to keep myself flexible and open to all types of music.
Q: Describe the most common type of work you do for your clients.
A: I generally do recording and mixing work for my clients.
Q: What are you working on at the moment?
A: I'm currently working on a mix for a live set a good friend of mine recorded at Shapshifter Lab in Brooklyn.
Q: What's your 'promise' to your clients?
A: I promise to bring each and every clients vision to fruition.
Q: What do you like most about your job?
A: I get to make music every, single, day.
- Recording StudioAverage price - $700 per day
- Mixing EngineerAverage price - $300 per song
- Mastering EngineerAverage price - $50 per song
- EditingAverage price - $150 per track
- YouTube Cover RecordingAverage price - $300 per song
- Vocal compingAverage price - $100 per track
- Vocal TuningAverage price - $150 per track
- UAD
- Waves Gold