Phoenix Sound Studios is a a state-of-the-art recording studio delivering the highest level of sound, music and video production.
Phoenix Sound Studios is no converted bedroom or warehouse. The multi-room facility was designed and purpose built to produce exceptional acoustics while also retaining plenty of natural light.
The studio consists of three varied acoustic spaces. As a result, large bands and small chamber orchestral groups can be accommodated comfortably without feeling confined. Beautiful scenery and natural light combined with individual personal monitoring also make recording a joy. In addition, there is ample free and unrestricted off-street parking. Consequently, loading and unloading gear is easy and stress free.
Above all Phoenix Sound Studios is the ultimate choice for those seeking the very best in sound, music and video production. We take care of your production needs from writing and pre-production to tracking, mixing and also mastering, all under one roof.
Phoenix also specialize in recording high quality custom drum and percussion tracks for musicians and producers all over the world. All tracks are played live using high quality drums, cymbals and percussion such as Yamaha, and Sabian. They are recorded and mixed using high end equipment such as Neumann, AKG and Shure microphones, Neve, Avalon, Universal Audio microphone preamps.
Other services - remote mastering, editing and mixing.
Contact us to discuss your next project whether small or large.
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Interview with Phoenix Sound Studios
Q: Describe the most common type of work you do for your clients.
A: I find myself recording, mixing and mastering and contributing musically too. Being a drummer and percussionist I find I have a real advantage as I have a musical as well as technical perspective. I also provide additional services such as producing, audio restoration & audio archival and forensic audio.
Q: What other musicians or music production professionals inspire you?
A: I'm really inspired by musicians really. Without fail a good musician is always easy to record and always sound good. I really like Don Bartley's mastering work.
Q: Tell us about your studio setup.
A: The facility comprises three different size rooms, all visible to each other and able to accommodate large bands and small chamber orchestral groups comfortably without feeling confined. Plenty of natural light and beautiful scenery together with individual personal monitoring makes recording a joy and allows the flow of creativity.
Q: What's your typical work process?
A: Listen first, offer suggestions if required, get a good sound acoustically, record, mix, master.
Q: What do you bring to a song?
A: Perspective and vision. Objectivity and a fresh set of skilled and experienced ears. I'm great with grooves and feels so if something isn't right I can usually pin point it and resolve any issues.
Q: What's your strongest skill?
A: Perspective as a musician / sound engineer with finely tuned and and experienced ears.
Q: What type of music do you usually work on?
A: Good music.
Q: Can you share one music production tip?
A: If it sounds good acoustically it usually will sound great recorded. Trust your ears.
Q: Which artist would you like to work with and why?
A: Vinnie Coliauta as he is my favourite drummer of all time.
Q: How would you describe your style?
A: Difficult to answer this one.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Nick Freer's album as it featured the cream of Australian musicians. My role was to produce, record, mix and master.
Q: What was your career path? How long have you been doing this?
A: 25 years of working in the recording/music industry.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Avalon mic pre, Neumann U87, my computer, KRK Expose monitors and a generator to provide the electricity of course.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Go with someone that is a musician also and who is like minded.
Q: What questions do you ask prospective clients?
A: What is their vision for their music.
Q: What's the biggest misconception about what you do?
A: Working with audio is like being a DJ. Buy lots of expensive gear and you can make a great record,
Q: What do you like most about your job?
A: I'm my own boss.
Q: What's your 'promise' to your clients?
A: Satisfaction guaranteed or your money back.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: I don't know anyone on SoundBetter.
Q: What questions do customers most commonly ask you? What's your answer?
A: What do I think of their music? I'm always honest but in the nicest possible way.
Q: Analog or digital and why?
A: I grew up with the whole analog thing and have had various studio configurations over the years using most of this technology. I think it really boils down to the music and quality of what goes in. I recently heard some old ADAT recordings that I did years ago. To my surprise they sounded great all at 16bit 48khz! As the saying goes "you can't polish a *(*&!"
Q: What are you working on at the moment?
A: I'm currently mastering a jazz fusion style album and working on some acoustic drum tracks.