Mixing & Mastering Engineers, Producers & Songwriters who worked with Wordplay Magazine

Mastering & Mix Engineer - Dylan Barber

I am an experienced and award winning audio engineer offering mixing and mastering who has worked with clients and artists such as Deutsche Gramaphon, the BBC, NPR (Tiny Desk), Roger Eno, Szun Waves and labels & magazines such as Leaf and Wordplay. I work across a range of genres and my only focus is to do what is right by musicians and their art!

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Multifaceted Sound Engineering - Kevin Smith Montreal
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Songwriter & Producer (Latin) - Patrick Torres
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Young songwriter and artist who always seeks to get the best out of music

Transmute Emotion Into Music - Bec Hollcraft
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My favorite thing about a singer is how they emote. How they transport you while you listen. If you didn't even speak the language, could you still understand the feeling by the tone and dynamics of the vocals? This is something I strive for with every song I perform. It's a heart business and I am here to move yours!

Session Vocalist  / Topliner - Josie Black
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Versatile, experienced session vocalist, vocal arranger and topliner with 20 years experience in the industry. Genres include (but are not limited to) pop, rock, jazz, country, funk, folk and classical crossover. Vocal arranger for biggest Contemporary Choir in the UK with music being sung by 33,000 people.

Pop Session Vocalist/Producer. - Clifford Reeves
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Genre-bending vocalist, producer and instrumentalist able to work with quick turn arounds out of my home studio. Currently collaborating with Grammy Winner and Rock and Roll Hall of Fame inductee Jerome Brailey (example works on my SoundCloud). Dedicated to my work.

Hip Hop Music Production - Midnight Collective

The goal of the Midnight Collective is to bring your original creations to there highest level of production value.

Violist - Palak Pancholi

A professional viola player who is classically trained for 25+ years, and is able to jam and riff with many styles (rap, hip hop, jazz, gospel, national anthems, etc),

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