Mixing & Mastering Engineers, Producers & Songwriters who worked with STEFANO IANNE

Drum tracks / Session drums - Terl Bryant
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(18)

Recording credits with: John Paul Jones 'The Thunderthief' (Led Zep), Martin Barre 'Live' (Jethro Tull), Barbara Dickson 'My Own Adventure', Matt Redman 'Facedown', Peter Gabriel (Film), Peter Murphy (US No.1), Robin Mark, Elizabeth McGovern, Maddy Prior (5 albums) - many more see www.terl.uk

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Online Mixing and Mastering - Nando Costa
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Transform your music with Latin Grammy Nominated engineer Nando Costa! Over 15 years of expertise, collaborating with luminaries like Milton Nascimento, Elba Ramalho, Stanley Jordan, Jesus Molina, Emmerson Nogueira, Daniel Figueiredo and more. Over 30 million plays on streaming platforms. Film and TV work.

Session Engineering,Production - Harry Speight

I've worked on all manner of projects; from engineering Hip-Hop and Drill recording sessions to mixing and mastering Tech House, Rap and bassline tracks. I love what I do, any avenue I can go down to pursue my passion is one I will walk proudly, I love being able to; create, inspire, and be inspired for a living. Feel free to reach me for sessions

Remote Mixing & Mastering - Itthiporn Navaitthiporn
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Detail Oriented mixing and mastering your song as best as it gets.

Music Producer/Sound Designer - Gabriel Hansen
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Experienced music producer & DJ with a demonstrated history. Skilled in Music Composition, Event Promotion, and Social Media Marketing. Proud owner of a Bachelor of Arts degree in Creative Music Technology from Bath Spa University.

Music producer  - Oscar Houser

Hi, my name is Oscar Houser a House producer from The Netherlands.

Professional Mixing Engineer - Forgotten Clank Studios

I can edit, mix and master your song to make you sound your best!

Mixing | Mastering | Composer - Spick-Saucier Productions
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TD Grand Jazz Award at the Montreal International Jazz Festival 2018 : Mixing engineer, composer & pianist. His sensitivity as a composer ensures a rich and fruitful exchange with his clients on the audio work to be accomplished. The focus should be on the experience the listener will have when listening to the track : Emotion

Recent Successes

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