Mixing & Mastering Engineers, Producers & Songwriters who worked with Rump Recordings

Producer // Mix Engineer - Tom Langley
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I'm a music producer and mix engineer specialising in electronic, indie and alternative pop genres. I’ve been freelance for over 15 years working with many artists and labels, and some award winning companies including Native Instruments and Noiiz. I'm a certified Pro Tools Specialist and currently studying for an MA in Music & Audio Production.

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recording.mixing,mastering - ZERO Entertainment

Over 20 years of experience working for record companies as producer,mixer in Asia, Europe and the US.

Producer, Mix Engineer, Editor - Keith Holmes
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Industry standard production, mixing and editing by BBC play-listed producer/mix engineer with editing credits for international plugin giants Waves Audio.

Producer & Mixing Engineer  - White Studio Music

I am a record producer from zimbabwe with the best sounding beats and mixes processed with analog gear to suit the 21 centrury feel

Lofi, chill, dreamy producer - s e r é n a t e
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Musician and producer under the name of s e r é n a t e. Lofi, chillbeats, dream pop, everything chill. Love doing Hip-hop as well, downtempo and house. Hit me up and we can talk about what you have un mind!

Mixing, Master, PostProduction - Eron

I will mix and master to industry standard and GIG.

Pop Music Producer - George Gatewood

I suck at selling myself, but I PROMISE you'll be satisfied if you hire me. 🤓

Atmospheric pedal steel player - David Rothon
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If you want the beautiful sound of pedal steel – especially in a non-country context – I can help. I have worked with Lost Horizons (ft Simon Raymonde of the Cocteau Twins), and played live with artists including Rumer and Marissa Nadler. I also write and record my own multi-instrumental music – released on the acclaimed Clay Pipe Music label.

Producer and remote mixing - Swonk

I have worked with Grammy award winning engineers through production of my own tracks. Signed to major distribution through Sony/The Orchard.

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