Mixing & Mastering Engineers, Producers & Songwriters who worked with Paddy Fletcher

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Mastering Engineer - Manuel Scaramuzzino
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I have more than 20 years of experience in the music industry. I have been working with producers, bands, artists, and record labels from all over the world to ensure they could confidently release music to industry standards. I got specialised in mastering Reggae, Dub, Dancehall, Jazz, Hip Hop, NeoSoul, Soul, and Pop.

Producer/Multi-Instrumentalist - Dave Nelson
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Grammy award winning session & touring musician. Taylor Swift, Ed Sheeran, The National, Sufjan Stevens, Mumford & Sons, Joanna Newsome, Jonsi, Local Natives, Lonnie Holley, Steve Coleman, John Adams, Martha Wainwright, and many others.

MIXING & MASTERING - Stephon Stevens

I am Certified in Audio Engineering & Mixing/Mastering.

Mixing & Mastering Engineer - NickMakeNoise
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Want your music to cut deep? Want your music to make the car shake? Want your music as smooth as butter? You came to the right place. I mix and master pop, hip-hop, rock, electronic, metal, country, folk, and everything in between.

Audio Engineer, Bassist - Rj Dread

Highly skilled and versatile Bass player and Audio engineer with a passion for creating exceptional music and delivering outstanding sound quality. Seeking opportunities to contribute my expertise and creativity to a dynamic and innovative musical environment.

Saxophonist/Arranger/Composer - Marcus Freitas
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Session sax, pro keyboards, vocal layers, and custom arrangements — all in one place, with heart and precision.

Eclectic, songwriter  - SaumQi Amor Amenkum

I’m a multidisciplinary songwriter and poet whose work moves fluidly across poetry, spoken word, New Age, hip-hop, and R&B, guided by a spiritually rooted, visionary approach to sound and story.

Credits:
Session guitarist  - Adam Wolfaardt

I believe great guitar tracks start with the player, the instrument, and the amp. I record real amplifiers with microphones and focus on creating parts that serve the song rather than showcasing technology. My goal is to capture a guitar sound that already feels like a record before the microphone signal reaches the DAW

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