pacific Audio Engineers, Producers & Songwriters who worked with Pacific

My specialty is taking mid-late stage projects over the finished line. I can take your "okay" sounding song or album to radio-ready masterpiece. My specialty is production and mixing but I also write when necessary. I do whatever it takes to get the job done... no shortcuts, no compromises.

I specialize in helping individuals with the full production of their song or project from pre production all the way through to post production to ensure that the final version is at its highest quality. I have projects featured with Gold and Multi Platinum winning producer such as TT Audi from 808 Mafia, and Iceberg Beatz who produced "Pop Out"

"....2020 will be a spectacular year for our eardrums thanks to theDGTL and all the talented rappers who have blessed his beats" -Respect My Region Voted top producer in 2019 (PNW), theDGTL crafts a sound rooted in high energy, grunge influenced beats and cinematic aesthetic, featured on Ebro, Uber, Vans, and across the PNW's rising hip hop scene

George Drabing Hicks has built a career at the intersection of live performance and studio production. Equally adept in both settings, he integrates the immediacy of a concert with the precision of a recording, so every project resonates with clarity, depth, and emotion.

My passion is for audio and music, but my love is for people and what they create. Committing my undivided thought and time to every idea - ensuring the utmost quality to every project. Let’s form something together that will last a lifetime and enjoy the process as we go. ”

I have been playing bass for over 15 years now on stage in concerts, weddings, Church services and major rallies/crusades. I am also a singer songwriter and a Music Director at my Local Church. During the Day I am a marketing manager at my 9 - 5 Job. In the evenings and on Saturdays and Sundays I run my Home Studio "Raepa Music".

Arranger, multi-instrumentalist and mix engineer based in the Pacific Northwest.

Sonic cartographer mapping the bleeding edges of music's evolving landscape. I don't just produce tracks—I decode the emerging language of underground sound.