Mixing & Mastering Engineers, Producers & Songwriters who worked with nobre
Producer, Mix & Mastering Engineer, High quality, Fast communication, Fast delivery
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I'm Music Producer since 2010 and DJ since 2005. Working with the different kind of electronic genres such as Techno, House, Deep House, EDM, Hip-Hop etc.
Trauma Audio is a French (Paris) Sound Design, Mix & Mastering studio. Founded and ran by Matthieu Nobre & Gautier Moine, two highly professional Producers and Sound Engineers with more than 10 years of experience.
EDM Producer & Mixer | Moombahton, Tropical House, Reggaeton, Synthwave, Nu Disco & More | Professional Mixing & Mastering
www.youtube.com/eduardomercurimusic www.instagram/dumercuri
I'm a professional Bassist from Salvador, Bahia (Brazil). I have a Bachelor of Arts in Electric Bass Performance from the University of Campinas, and i can record the spicy bassline you need! Looking forward to hear about your project
I am dedicated to making your music the best it can be. My focus goes beyond balancing levels—I enhance every element of your track, adding my unique touch to ensure a clean, dynamic, and polished final product.
Ghosts supported by: Marco Carola, Joseph Capriati, Paco Osuna, Solardo, Latmun, Andruss, Honey Luv, Melanie Ribbe and more. Track released in Libero Records, Nervous Records, La Pera, House Views and more.
Acerca de Sérgio Esmael músico e intérprete da nova geração de artistas que tem dado o seu contributo para o enaltecimento do music coll angolano se destacando dentro do cenário musical fazendo a sua diferença tanto quanto pessoa individual e musicalmente como artista pela sua diversidade musical é um ser de natureza nobre e gentil
Recent Successes
"Has a great ear when it comes to mastering!"
Ray M."David always delivers. Even squeezing projects into his schedule quickly. Super efficient and strategic. "
Mark Siegel"Robin was great to work with. She took a vague idea, and added the color I was asking for. She was quick, and easily worked in a few extras for me."
Leonard R.
