Mixing & Mastering Engineers, Producers & Songwriters who worked with Music Blvd Group

Composer, Producer - Bruno Reis
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My power is my Epic Music - the undeniable and powerful sound. I compose and produce music across a wide range of styles, from cinematic and orchestral, to epic hip hop, alt-pop and hybrid. Whether it's a powerful emotional score or genre-blending music, if you are looking for a dark cinematic vibe like 2Wei, Apashe or Hans Zimmer, I'm the one!

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Studio Drummer - Tim Provence
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Born in Memphis, raised in Nashville; a love of music runs in my blood.

Producer & Mixing Engineer - Stefan Wolharn

Acoustic Music Producer / Mixer for Rock, Indie and Alternative Bands

East African Drums / Mixing - Ilya Izotov
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Professional East African drums, percussion and string instruments recording / Sound mixing

Music Producer & Mix Engineer - Mike Spink

Award Winning Platinum & Double Platinum Recording Engineer / Producer / Mixer - Credits include Number 1 albums for both Jake Bugg & The 1975's eponymous debut albums. Other credits include : The Gaslight Anthem, James, Amber Run, The View, Lewis Watson. I have also worked in the studio with artists such as Wolf Alice & Circawaves etc.

I write Pop, Rock, Hip Hop,R&B - Poetress

Music you've been waiting for

Engineer,Producer,Designer  - Feniko Beatz
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Feniko Beatz, formally known as Christopher Lopez, is a seasoned sound engineer, music producer, and sound designer. Starting his journey in the reggaetón-Latin hip hop scene in 2007, Feniko has collaborated with Grammy Latin-nominated artists like Rauw Alejandro, Myke Towers, Eladio Carrión, and Bad Bunny.

Indie Folk Vocalist for Hire - Kristen Camp
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“Kristen makes singing look and sound effortless. Her tone is pure — smooth and energetic, but with incredible range. - Jennifer Truesdale COMO Magazine

Music production & mixing - Juan Martín
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Hi, I’m Martín — an audio engineer and music producer focused on clean, musical mixes that respect the artist’s identity. I work mainly with independent artists and bands, helping them turn good recordings into polished, release-ready tracks without overprocessing or losing dynamics. My approach combines technical precision with musical sensitivi

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