Mixing & Mastering Engineers, Producers & Songwriters who worked with Mufasa and Lucy

I am currently a student enrolled in the Belmont University audio program working with some of the best audio professors in the country. My audio knowledge expands daily, but I have already had prior experience in production through helping with producing, recording, mixing, and mastering many artists' projects.

Looking to provide the best engineering experience in the LA area, fast and reliable with years of working in world class recording studios.

Skilled trombone player/music producer experienced in jazz, R&B, classical, and pop music. Credits include the CYSO Jazz Orchestra, Merit School of Music, and Jazz Ensemble of DuPage.

I want to make your vocals sound the best they can possibly be. If it's your vocals, let's get them comped, tuned, edited, and mixed. If you need vocals, let me sing for you! I have six years of experience as a session vocalist across many genres (pop, R+B, indie, rock, and classical are my best).

NoFace Studios is a proud partner of NoFace Records, initially launched with Armada Music. We help elevate the next generation of musicians in the music industry!

Songwriter with an ear for melody and a pen for fun, catchy, and heartfelt lyrics. I am a chameleon: I can write anything from memorable and moving lyrics for a male pop artist, to a sassy, flirty bop for the pop girlies, to songs with flare fit to show off your R&B pipes. I arrange bgvs. Check out my song samples.

J-rock/poppunk/kawaii future rock/ These three styles are what I am best at, low price and high quality.

Highly adaptable Rapper, Singer and Songwriter. Beeing supported by Claudio Cueni, well known for his work with artists like 2Pac. Released 1 Album and 2 EP's.

I am an LA based session bassist, vocalist and producer. I thrive on the first listen impetus and follow my experience based instincts to lead me to a musically and sonically supportive part for the artist's song and creative vision - whether it be a melodic part weaving with the top line, or a foundational part that is felt, more than heard.