Mixing & Mastering Engineers, Producers & Songwriters who worked with level 8

Mixing. Mastering. Production. - SUB-human Engineering
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(22)

Mixing & Mastering Engineer trusted by What So Not, Blizzard (Diablo IV), Oliver Tree, Netflix and RL Grime. Gold-certified engineer delivering commercial mixes with clear communication, honest feedback, and revisions until you're proud to release.

Songwriter/Topliner  - MIA MARA
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I create outstanding toplines that get stuck in peoples' heads. My deeper, rougher female vocals will make your project sound unique. They especially fit electronic and edm music perfectly. Lyrics can be written in english oder german.

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Remote Mixing - Billy Crabbe
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Clean, punchy, emotion-driven mixes. Built with care. Backed by great communication.

Engineer & Mixer - Nathan Sage
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The first commercial Immersive Audio focused studio in Connecticut, accommodating up to 7.1.4. formats.

Técnico en sonido - Seba Palma

Edición, mezcla y masterización de audio. Productor, Beatmaker.

Music Producer - EDM - Tunasi
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Tunasi is an EDM producer that has years of practice and experience working on a bunch of different genres. I mostly aim for music that sounds like Martin Garrix, Avicii, Tiesto, and so on. I'm currently working on my first album and would love to get a little more variety in my current work schedule! I love working on different types of projects!

Mixing & mastering, beat maker - GEPPE HBA

-Get your tracks mixed to pro quality -exclusive custom beats with unique sounds Hit me up for more services

I sing, i produce & play instr - Josefina

Singer with ability for harmony singing, studying music production, can play instruments or learn really quick.

Mixing & Mastering Engineer - dB Audio Production

dB Audio Production helps Bands and Solo Artists to develop a professional Sound for their ideas to release on all streaming plattforms.

Producer, Mixing Engineer - FLATBUSH LOTTO

Bringing underground energy to industry-level mixes, specializing in punchy rap, R&B, and alt sounds that cut through.

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