Mixing & Mastering Engineers, Producers & Songwriters who worked with Leon Tarro

Pop / Country Toplines/Vocals  - Mary Leay
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Platinum selling pop, EDM, Country topliner with cuts for Becky Hill (Piece of Me) and Cher 'Take It Like A Man.' A pop / country vocalist for your professional demos or commercial releases.

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Mixing/Recording/VocalTuning - Kim Katz

Multi-platinum Engineer who got her chops working for the artists you hear on the radio. Experienced in cutting edge techniques of mixing, editing, recording, and tuning.

Sing, produce, mix & master. - MonosProductions
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It's not about how much equipment you have, but what you do with it!

Remote Mixing & Mastering - STK
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Former touring engineer from Nashville. Mixed FOH or Monitors for Natalie Grant, Citizen Way, Hawk Nelson, and Love & the Outcome on different tours.

Producer/Multi-Instrumentalist - Matt Oestreicher

Seasoned producer and session musician and long time arranger/keyboardist/guitarist for the legendary Apollo Theater House Band who has worked with Stevie Wonder, will.i.am, Dionne Warwick, Snoop Dogg, Anita Baker, John Legend, and many others. Multi-instrumentalist who has worked in many genres from "yoga" music, to pop, to R&B, Jazz, and Folk.

Mixing & Mastering Engineer - Dylano van Beek
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For a long time I produce, mix, and master music to a next level. Music is deep in my heart and I strive to bring your new track to that radio-ready sound.

Double Bass Session Musician  - Alice Kent

Classical session double bass player. Worked with some of the best including Quincy Jones and Danny Elfman.

Mixing Engineer - Kyle Biane
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Analog depth with digital efficiency mixing engineer in Los Angeles, CA.

Music Producer & Mix engineer - BLYSSE

Hey, I’m William “BLYSSE” Bliss—genre‑fluid producer/mixer with 20+ placements (Pusha Preme, Lil Zae, TheJWRD, and TAMA). From club‑level EDM drops to moody hip‑hop, I craft radio‑ready records, handle art & promo, and revise till it’s perfect. Artist‑first, quick replies, zero ego. Let’s build your next piece of art.

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