Mixing & Mastering Engineers, Producers & Songwriters who worked with Harvester Worship

Mixing & Mastering Engineer - Nate Baker
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Mixing and mastering engineer specializing in worship (studio & live) and pop music. Credits include: Eleni Baker, Mass Anthems, Anthem Worship, and more.

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Vocal & Music Producer - Jr. Supa

Creator of great sounding music...

Remote Topliner/Vocalist  - Chantal

Very fast topliner with vocals that can go really high. A compelling differentiator from the islands who is able to add flava to your tracks but can also keep it western and contemporary.

Mixing & Mastering - Doppler Soundlab
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Over 10 years of experience in mixing & mastering pop, electronic music & orchestral scores. We can help your tracks achieve a clean, competitive, hi-fidelity output which seamlessly translates across all platforms.

Techno / Tech-House / Melodic - KRASH!

"Hi there! With my extensive knowledge and expertise in music production, I bring a unique blend of creativity and technical precision to every project. Whether you're an emerging artist looking to shape your sound or an established musician aiming for a polished final product, I have the skills to elevate your music to the next level.

Remote Mixing & Mastering      - Justin Prins

I am an alternative folk mixing and mastering specialist and session musician with skills in guitar and vocals. I also create custom royalty free music for clients.

Double Bassist - Marcus Penrose
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Welcome to my remote double bass recording service. I am open to all kinds of styles and colaborations. I have a great home studio setup where I spend my time recording double bass parts for independant artists, library music composers and my own projects and colaborations. No session is too big or too small and I'm work hard for a quick turnaround

Producer, Arrangements - Raw Saw

* raw, unfiltered and pulsating with authenticity

Creative Engineer Services - molotov.bliss
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A Creative visual and audio engineer with 30+ years in sound creation & visuals from the demoscene sub art culture. Contributing original songs to one of the very first net labels; Kosmic Free Music Foundation (KFMF) during 1993-2000. DAW of choice is ReNoise taking a approach to atypical FL/Ableton/etc. engineers. Demoscene roots.

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