Mixing & Mastering Engineers, Producers & Songwriters who worked with complete madness
I play bass - creative, melodic and earthy bass accompaniment. My additions make you sound better
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“Driven by Carmine Covelli’s thundering drums...” — Louder Than War, The Julie Ruin "Run Fast" album review
Check out the song "GENESIS" by STARVE THE FLESH for a sample of a song I wrote! (Linked on Profile) I can write and record high quality guitar parts for just about any genre, specializing in rock and metal. I love to write, record, and be challenged! Contact me to give your track some compelling and memorable guitar parts!
music producer and songwriter with over 200 songs placed on film and tv.
I am a Nashville-based guitarist, working mainly on the road in Americana, folk, rock music. I work as a session guitarist for variety of Nashville-based projects, and record in my personal studio. 20+ years as original artist 1000 shows, in 27 countries 8 records recorded 1 record produced
Beat maker, Musician, Singer, and Mixing Engineer of 11 years.
- 5x Award Winning Music Producer (Awit Awards) - Label head of Old School Records, a sub-label of ABSCBN Music - I am the man behind Morissette’s hit “Akin Ka Na Lang” (145M YT Views) and “Magandang Dilag” (Miss Universe Philippines 2020) by JM Bales (28M YT cumulative views)
I've been mixing and mastering for about 4 years. I complete my work with integrity and on time.
I help independent artists bring their vision to life with professional songwriting and production that feels authentic, emotional, and ready for release. My process is collaborative, detail-driven, and always focused on what makes you stand out.
Recent Successes
"Brandon working good and faster !!! very good job ."
"Always great working with Nate...he has a wealth of knowledge and experience and can tackle any kind of music I throw at him. Highly recommended."
"Elliot is phenomenal! The best mastering engineer I've worked with, and i've sent my music to many...Amazing guy, and wonderful to work with!"
"Sometimes our songs can suffer from an identity crisis, and it’s not really the mix engineer’s job to work the kind of magic that fixes it. That’s why I’m so thankful that Doug was gracious and patient enough to do ..."












