Mixing & Mastering Engineers, Producers & Songwriters who worked with Caravela

Recording & Mixing Engineer - Gregory Dunn

Songwriter and recording engineer making cool records for over 15 years.

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Remote Mixing - Studio Lyckan
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Vintage Expert Keyboardist - Ronaldo Rodrigues
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I'm an expert in vintage approaches of rock/pop (1960's and 1970's - hard/prog/psychedelic/fusion/jazz).

Session Drummer - Elcio Cáfaro
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I am an expert in brazilian rhythms, odd times, world music, vintage approaches of rock, prog/psychedelic/fusion/heavy.

Emotional Mixing & Mastering - Miguel Alsem
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My goal is to enhance your music and raise it to its maximum potential. I work with different independent artist and labels of electronic, indie, pop, rock, psychedelic music, world fusion, dub, reggae. Credits in discogs...

Session Vocalist, Songwriter - Cindy-Louise
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Cindy-Louise, a singer-songwriter, transitioned from opera to crafting original music. Known for her work under the same artist name, she also writes for pop icons and sync publishers, pouring her heart into every creation.

Session trumpet and Mixing - Henrique Manchuria

Music Producer, Mixing Engineer, Trumpeter and Arranger. I've been working with music for 20 years, I've worked in the majority sectors to which the music market integrates. Today I have bigger focus on mixing and music production, brass recording and arrangement, having already done some work for great Brazilian artists and international brands.

Edit, Mix and Mastering audio - Mamboy producer

Hi! I’m Mamboy Producer, a music producer and mixing/mastering engineer with strong experience in urban, reggaeton, Latin and pop music.

multi-instrumentalist producer - Sacrifunk
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Canadian based composer, producer, and multi-instrumentalist (guitars, bass, drums and percussions. Deep diver in music theory temperaments and scales, where i used standard unique instruments but also true temperament guitars and microtonal movable frets guitars, and kangaroo heads on. my drums. I produce using izotope plugins and logic Pro DAW.

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