Mixing & Mastering Engineers, Producers & Songwriters who worked with Artemis Empire

Mastering, Mixing, Post - Bryan Sansom SLCAudio

Big Bryan SLCAudio. You might have seen an interview that starts off like that. 8747 productions is the vision of bringing your creative passion to light. Highly experienced, in radio, post-production, recording, mixing, mastering and restoration. SLCAudio has what it takes to develop your sound into your reality.

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All inclusive audio engineer - Samantha Lynn
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Audio engineering with superior customer service. I believe that in order to get the best out of my clients, I need to give my best. Comfort, clear communication, and accuracy in sound are essential to the creative process. We all work on vibrations and keeping a positive attitude is integral, so never forget to have fun!

Post Mixing, Editing, ADR - Studio 873

Hi My name is Ben Dotson. I am an audio post production engineer with lots of industry experience. Friendly, professional and trustworthy , I will always give you a prompt response. Located in the heart of union Square in Manhattan.

Mix and Master Engineer  - Leeroy
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Do you want to have a Crispy sounding mix but you ain't got the big bucks to afford it. Don't Worry i Got You!

Mixing & mastering - Amey Wadibhasme

I mix & master and I'm good with working on tight timelines.

work - partishen

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partishen, 600 Independence Ave SWfavorite_borderfavorite

partishen

Mixing & mastering - Wilmer

Productor musical e ing de sonido dedicado a Mixing & Mastering

Reggae/Dancehall Mastering  - Ron “Ruff” Boyce

Grammy Award Winning Mixing & Mastering Engineer. Works on all genres of music but specializes in today’s top Reggae, Dancehall, Island, and Hawaiian music. Mixing & Mastering of “Kuini” Kalani Pea’s Grammy Award Winning Album. Mastering of Billboards #1 Reggae/Dancehall record in the world 2016•Vybez Kartel “Fever,” certified Gold by RIAA.

Rock Guitarist and Producer - Carlos Cernadas
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Team player and creative musician specialised in recording acoustic & electric guitars.

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