Billboard charting pop producer Sony Music BMG Music Our Last Night Jule Vera SHEE The Music Playground
Billboard Charting pop producer, multiple label cuts, network tv syncs.
I specialize in modern pop and cinematic sync songs. But love to work in other genres as well.
Send me a demo and we can talk about song production.
Also love to mix!
I produced and mixed all songs on this playlist!
Let me know if you want to hear more work!
Would love to hear from you. Click the contact button above to get in touch.
- jule vera - a verry merry christmas (produced and mixed)
- jule vera - waiting on the sun (engineering
- jule vera - waiting on the sun (enginering production percussion amd drums)
- Jule Vera - Waiting on the Sun (engineering production percussion and drums)
- J.J weeks band (engineering and editing)
- Hundreds of sync shop songs (contact me for more audio examples)
- SHEE - (All songs)
- Our Last Night - Let Light Overcome
- Our Last Night - Overcome the Darkness
- Riley Q - No Turnin Round
- Riley Q - B Ok
- Jule Vera (All Songs)
- Third Day (Editing)
- Among the Thirsty
4 ReviewsEndorse Kyle Horvath
I really enjoyed working with Kyle Horvath and highly recommend him. He did a great job of bringing my ideas to life, even when I didn't exactly know how to convey what I was imagining, in the correct terminology. He produced over twenty songs for me in the last year and I was very pleased with each one.
I am a very hands on artist so I loved the fact that he was willing to talk through his process and truly get to the nitty gritty on sounds and what we were trying to say in the song. Amazing co-writer & seriously talented producer. We always have fun & he makes sure that we’re working from a good place mentally. “B Ok” was the second song he produced for me and I was extremely happy with the final product.
I am a very hands on artists so I loved the fact that he was willing to talk through his process and truly get to the nitty gritty on sounds and what we were trying to say in the song. Amazing co-writer & seriously talented producer. We always have fun & he makes sure that we’re working from a good place mentally. “B Ok” was the second song he produced for me and I was extremely happy with the final product.
Kyle is extremely easy going and by far the best producer I’ve worked with. Not only is he extremely talented as a writer and a producer, he is very knowledgeable about the entire industry. When I first started working with him I appreciated the fact that he took the time to get to know me and wanted to make sure we vibed well. The first song he produced for me was “No Turning Round” and he went above and beyond my expectations. 10/10 recommend!
Interview with Kyle Horvath
Q: What other musicians or music production professionals inspire you?
A: Timbaland, Tony Maserati
Q: Tell us about your studio setup.
A: Depends on the project, for most mixing scenarios I am in a small DAW based setup. For live tracking I visit a large studio I house my gear in.
Q: Can you share one music production tip?
A: Don’t be afraid to break all the rules.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Just talk to me, I am willing to work with you on budget and time especially for projects I enjoy.
Q: What questions do you ask prospective clients?
A: I ask to hear their music.
Q: What's your 'promise' to your clients?
A: It’s going to sound good.
Q: Analog or digital and why?
A: Both , sound and powerful editing.
Q: Describe the most common type of work you do for your clients.
A: Production and mixing. Typically mixing unless I want to be heavily involved in a project.
Q: What's your typical work process?
A: If I am producing, I like to start with the bare bones. The song itself is the most important part, it's the core of everything. Once that is feeling really special, I like to move on to figure out the feel, the groove, etc. From there usually the song just takes me where it wants to go. It kind of has a life of it's own, you're just there to cultivate that in a way. As far as mixing goes, similar thing, I start with the foundation in drum and bass, and work my way up.
Q: What do you bring to a song?
A: I try to bring an excitement to a song, elements that keep you interested throughout, every time there is a moment where I feel the magic of a song fading, I like to try to re-focusing the attention. But it's important to not step on the song itself in doing so.
Q: What's your strongest skill?
A: Drum and bass groove, modern production, and mixing.
Q: What type of music do you usually work on?
A: Pop music primarily, it's definitely my favorite. But I have found myself doing all kinds that I didn't expect lately.
Q: Which artist would you like to work with and why?
A: Lorde, I think Lorde's style and production in her music was a huge part of what made me shift from just being a player to focusing on production.
Q: What was your career path? How long have you been doing this?
A: 9 years. I began with a internship for a multi Grammy award winning engineer. I became his assistant for the next 3 years. I kind of left that world for a while because the band I was a part of got signed to Sony, and started heavily touring for the next 3 years. That project consumed pretty much all my time for that time being, and was just the focus. Now I've come back around to just producing and mixing. The plan was always to come back to production full time.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Apollo, Neumann 4047, my box of percussion instruments, Great River Pre, and a keyboard.
Q: What do you like most about your job?
Q: What are you working on at the moment?
A: I've produced about 50 releases this year, next year is starting to shape up pretty similar. So just a lot of songs from a few different artist I enjoy working with.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: There are a few lately I have felt really good about, a few years ago it was Jule Vera songs and records. That was one of my first chances to really write and produce and not be the assistant on the project. Lately there is a project called SHEE that I am pretty proud of, also the last two Our Last Night records that I got to be a part of.