I am a graduate student with a music technology degree from Salford University in Manchester UK, I have a long history of different skills such as, mixing music (mixing engineer), mastering music (mastering engineer), live sound (front of house mixing at events), music composition, (music production), film music (Foley & sound design), recording,
I am a music and film music producer that has been working and enhancing my skills since a young age of fourteen. Iv always loved electronic music and always been interested In music production. I also own my own record label and one of my alias's has had record deals all around the world for the music I produce, as well as having my music played on Radio 1 Extra in the UK. My goal is to produce industry standard music that sounds as good as your going to get, and to supply my clients with the same level of expertise.
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Interview with Connor Wiseman
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: An audio visual experience through the BBC media city buildings in Manchester. Proud of it because it was all live, there was one take, someone on live visuals and a few bands and performances doing the same. And it worked very well, the whole thing just went great.
Q: What are you working on at the moment?
A: My own music.
Q: Analog or digital and why?
A: Both, because they are both great for different things.
Q: What's your 'promise' to your clients?
A: The work will be done and it will be a professional level.
Q: What do you like most about your job?
Q: What questions do customers most commonly ask you? What's your answer?
A: If I am able to do what they ask.
Q: What's the biggest misconception about what you do?
A: People think I just produce music and they don't understand I have an all around the board set of skills and this is my life.
Q: What questions do you ask prospective clients?
A: What style, what would you like done, how long is the time frame.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Let's have a chat and see what I can do for you.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: My mac, my keys, my speakers, a microphone, and a tape recorder.
Q: What was your career path? How long have you been doing this?
A: Iv been doing this since I was about 17 until now.
Q: How would you describe your style?
A: Mostly industrial meets ambient
Q: Which artist would you like to work with and why?
A: Thievery corporation, most likely because they have such a broad understanding of world music and using different hardware equipment.
Q: Can you share one music production tip?
A: Be careful with using to many sounds in one project.
Q: What type of music do you usually work on?
A: If I'm working on my own it's underground dance music. But if it's someone else's I could work on anything.
Q: What's your strongest skill?
Q: What do you bring to a song?
A: Experience of creative and dynamic processing. As well as musical ideas.
Q: What's your typical work process?
A: I work for around about 6 hours at a time from the morning to mid day, possibly longer some days. I start by always referencing projects to make sure whatever I'm going to be doing is going to sound as good as my best work.
Q: Tell us about your studio setup.
A: I work through Logic X, with midi triggers and keys, some pieces of hardware like the Moog sub 37. I also work through yamaha monitors with great AIAIAI headphones if I'm not using the monitors. I have recording equipment set up if I need to do any Foley work and iv also got my own portable recording device for when I'm out of my studio.
Q: What other musicians or music production professionals inspire you?
A: Brian Eno,
Q: Describe the most common type of work you do for your clients.
A: Mostly it would be mixing and mastering their music, as well as sound design and composition for film.