Played for JLo, Megan Thee Stallion, Disney, Muni Long, Ciara, VMA, BET, CMT, & more.
I'm a SF based guitarist, bassist, and producer. I've played on live performances for JLo, Megan Thee Stallion, Disney, Muni Long, Ciara, VMA, BET, CMT, Robin Thicke, Ne-Yo, Becky G, Omarion, Mickey Guyton, Jimmy Allen, Kyle Dion, Chante Moore, Run DMC & more.
I have also produced and played on records for Warner Japan and many independent artists in my 12 years as a full time musician.
I love working with passionate artists and producers that are looking to add life to their songs with live instruments. From cowboy chords to soaring leads, funky Motown and melodic bass lines; I aim to sit in the pocket with the right tone that supports the sonic identity of your song.
I'd love to hear about your project!
Send me an email through 'Contact' button above and I'll get back to you asap.
Credits
1 Reviews
Endorse Kendrick FielderInterview with Kendrick Fielder
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I contributed a lot of guitar to Disney's Magical Holiday Celebrations over the past 5 years. I may not be seen on camera but you can definitely hear me on these tunes.
Q: What are you working on at the moment?
A: Working on my solo record.
Q: Analog or digital and why?
A: Analog of course. Just got that 'thing'. (I also use digital lol)
Q: What's your 'promise' to your clients?
A: I promise to take your song to the next level.
Q: What do you like most about your job?
A: I get to make music as a living... What's better than that?!
Q: What's the biggest misconception about what you do?
A: "Music is an easy job"
Q: What questions do you ask prospective clients?
A: What are you trying to tell people with your song? What style/song inspired you to create this piece of music? Any specific sounds you hear in your head regarding guitar/bass?
Q: What advice do you have for a customer looking to hire a provider like you?
A: I like working with people who are passionate about what they do. Please love what you are creating.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Tuner, Stratocaster, Princeton, Nobels ODR, instrument & power cables. Does my laptop count..??
Q: How would you describe your style?
A: My style is laid back and in the pocket. I like to support the song as much as I can without overstepping.
Q: Can you share one music production tip?
A: 'Distorted' guitars don't need that much gain.
Q: What type of music do you usually work on?
A: I often get called for Pop, Pop-Rock, R&B, Soul, Motown, Rock, and Blues.
Q: What do you bring to a song?
A: I bring my enthusiasm and 12+ years of professional musician experience guide my way through a song.
Q: What's your typical work process?
A: I like to listen the song a few times while I set up my gear. Then I get the right tones and focus on letting the song shine through my playing.
Q: Tell us about your studio setup.
A: I like to keep things as analog as I can. I have a good selection of guitars, basses, amps, and pedals. I also use a lot of Universal Audio and Neural DSP plugins.
Q: What other musicians or music production professionals inspire you?
A: I'm a huge John Mayer and D'Angelo fan. I also love the work of Dan Huff, Pino Palladino, and Jack Antonoff.
Q: Describe the most common type of work you do for your clients.
A: Session guitar and bass, followed by arranging and production.
Q: Which artist would you like to work with and why?
A: I'd love to work with John Mayer, being a fly on the wall while he works would be worth a thousand PhD's.
Q: What's your strongest skill?
A: Not overplaying and letting the song speak for itself.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: "Leave Me Hanging" by Bryce Mathyer is my favorite song I've worked on so far. I produced, mixed, wrote lyrics, recorded guitar and bass on it. I'm very happy with the final product and I love that it captures an old school style with modern elements.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Marc Malsegna, Noa Vlessing
Q: Analog or digital and why?
A: The technology today is crazy enough that it's hard to tell the difference between the two, but if I had a choice it would be analog.
Q: What's your 'promise' to your clients?
A: I promise to deliver excellence to the best of my ability.
Q: What do you like most about your job?
A: That I am able to support myself playing and recording.
Q: What questions do customers most commonly ask you? What's your answer?
A: What is your turnaround time? 2-5 business days depending on the project.
Q: What's the biggest misconception about what you do?
A: It's not a hobby.
Q: What questions do you ask prospective clients?
A: I'll often ask for a soundalike or an example of what they're looking for. I'll also ask about the turnaround time and other services if needed.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Be straightforward and honest. Theres no such thing as too descriptive. The more I know about your expectations and style/sound you are looking for, the easier it is for me to produce the results you want.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Macbook with Logic/Protools/Kontakt/etc. Nash Guitars Strat Fender P Bass Taylor Acoustic UA interface
Q: What was your career path? How long have you been doing this?
A: I was classically trained on Piano since age 3 and picked up a guitar at age 13. I've been gigging/ recording since I was 15 and began producing at 18.
Q: How would you describe your style?
A: Funky R&B with Blues and Gospel influence, and a touch of Jazz and Rock
Q: Which artist would you like to work with and why?
A: I'd love to work with Ariana Grande or Demi Lovato, especially with their most recent albums having more of an old school approach to writing, I think it would be really fun to be with them on stage or in the studio.
Q: Can you share one music production tip?
A: It's not about how many plugins you have, but how you use them.
Q: What type of music do you usually work on?
A: I like to call myself a 'Pop' musician, but I've done work with big bands, orchestras, and film/TV scores. I'm most comfortable in contemporary genres and am happy to work on any project.
Q: What's your strongest skill?
A: I feel I am often called back because I listen. I use my ears to make sure nothing is overplayed or overcomplicated.
Q: What do you bring to a song?
A: When recording or performing, I tend to think like a producer. I'd like to be able to showcase the track/song without overpowering it with guitar/bass/etc. The song is #1 and it is my job to help it sound its best.
Q: What's your typical work process?
A: I like to listen to the track closely to get a sense of what the producer wants. I might make a chart depending on the song. Then I'll set up in my studio and begin recording keeping in mind how I can achieve the best results.
Q: Tell us about your studio setup.
A: UA Apollo Twin MKII, Yamaha HS8, AKG 412, SM57, SM58
Q: What other musicians or music production professionals inspire you?
A: Favorite guitarists of mine include; Mark Lettieri, Mateus Asato, Erick Walls, Isaiah Sharkey, and Kerry Marshall jr. Favorite producers include; Greg Wells, Anamolie, Timbaland, Tony Maserati, and Oak Felder
Q: Describe the most common type of work you do for your clients.
A: I'm mainly requested to play electric and acoustic guitar, then Music Directing/Arranging second, and production third.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: "Leave Me Hanging" by Bryce Mathyer is my favorite song I've worked on so far. I produced, mixed, wrote lyrics, recorded guitar and bass on it. I'm very happy with the final product and I love that it captures an old school style with modern elements.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Marc Malsegna, Noa Vlessing
Q: Analog or digital and why?
A: The technology today is crazy enough that it's hard to tell the difference between the two, but if I had a choice it would be analog.
Q: What's your 'promise' to your clients?
A: I promise to deliver excellence to the best of my ability.
Q: What do you like most about your job?
A: That I am able to support myself playing and recording.
Q: What questions do customers most commonly ask you? What's your answer?
A: What is your turnaround time? 2-5 business days depending on the project.
Q: What's the biggest misconception about what you do?
A: It's not a hobby.
Q: What questions do you ask prospective clients?
A: I'll often ask for a soundalike or an example of what they're looking for. I'll also ask about the turnaround time and other services if needed.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Be straightforward and honest. Theres no such thing as too descriptive. The more I know about your expectations and style/sound you are looking for, the easier it is for me to produce the results you want.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Macbook with Logic/Protools/Kontakt/etc. Nash Guitars Strat Fender P Bass Taylor Acoustic UA interface
Q: What was your career path? How long have you been doing this?
A: I was classically trained on Piano since age 3 and picked up a guitar at age 13. I've been gigging/ recording since I was 15 and began producing at 18.
Q: How would you describe your style?
A: Funky R&B with Blues and Gospel influence, and a touch of Jazz and Rock
Q: Which artist would you like to work with and why?
A: I'd love to work with Ariana Grande or Demi Lovato, especially with their most recent albums having more of an old school approach to writing, I think it would be really fun to be with them on stage or in the studio.
Q: Can you share one music production tip?
A: It's not about how many plugins you have, but how you use them.
Q: What type of music do you usually work on?
A: I like to call myself a 'Pop' musician, but I've done work with big bands, orchestras, and film/TV scores. I'm most comfortable in contemporary genres and am happy to work on any project.
Q: What's your strongest skill?
A: I feel I am often called back because I listen. I use my ears to make sure nothing is overplayed or overcomplicated.
Q: What do you bring to a song?
A: When recording or performing, I tend to think like a producer. I'd like to be able to showcase the track/song without overpowering it with guitar/bass/etc. The song is #1 and it is my job to help it sound its best.
Q: What's your typical work process?
A: I like to listen to the track closely to get a sense of what the producer wants. I might make a chart depending on the song. Then I'll set up in my studio and begin recording keeping in mind how I can achieve the best results.
Q: Tell us about your studio setup.
A: UA Apollo Twin MKII, Yamaha HS8, AKG 412, SM57, SM58
I was the Guitarist in this production
- Electric GuitarAverage price - $150 per song
- Bass ElectricAverage price - $150 per song
2 - 3 days depending on my schedule
- LSL Strat
- 64 Deluxe Reverb
- '82 MIJ P Bass