I'm a composer, producer and multi-instrumentalist from Silkeborg, Denmark. I'm specialising in emotions and evocative soundscapes often described as powerful by my musician friends.
I was raised in a musical family, so passion for music has always been running in my blood.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
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Interview with Oceans Who Lied
Q: What are you working on at the moment?
A: I am currently releasing solo tracks for Oceans Who Lied, OWL, as music is my passion and I like to create small stories to show in tracks as well!
Q: What's your 'promise' to your clients?
A: I can promise that I will make your visuals more powerful, and enhancing what ever feeling is appropiate!
Q: Which artist would you like to work with and why?
A: I'd love to work with Helios, Keith Keniff, as his work is really inspiring!
Q: Can you share one music production tip?
A: Follow your heart!
Q: What type of music do you usually work on?
A: I usually work with Ambient Modern Classical stuff, but also composes full orchestral compositions and solo piano compositions as well.
Q: What's your strongest skill?
A: My strongest skill is definitely composing with emotions!
Q: What do you bring to a song?
A: I seek to bring powerful emotions to a moment - whether that would be happiness, joy, sadness, nostalgia, melancholia.
Q: What's your typical work process?
A: If I compose for a film, I like to watch the whole to get into the characters so I would have a deeper empathic understanding of the situation - and, or moment.
Q: Tell us about your studio setup.
A: I have a Yamaha NU1X Polished Ebony digital piano set up next to my desk, where my Focus Scarlett 2i4 sound interface is plugged in - with my Beyerdynamic DT 770 and DT 990 Pro are plugged in as well.
Q: What other musicians or music production professionals inspire you?
A: Helios (Keith Keniff), Lights & Motion, 4lienetic
Q: Describe the most common type of work you do for your clients.
A: Composing a track for visuals - film, short film, visual art.