The trick is creating masters that still have bass information on a smart phone, without making your ears bleed from bright cymbals or guitars, but also won’t sound muddy from too much bass when you listen in the car. I tend to dislike bright mixes and masters because today’s listening environment is lacking in playback systems capable of even
my mastering philosophy goal is always to create well-balanced and competitively loud mixes. I want to always improve every song that I receive. In today’s market of music streaming and loudness normalization, dynamics have become increasingly important, and I create masters with encoding and streaming in mind from the start. As far as balance, I want everything to sound just as great on your smart phone as it does in your car.
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