I have many publications,about 60 official releases over the world and I worked in many genres from live music(folk) to electronic music (techno, progressive house). I've got a studio in Hungary with analog machines, but I'm working now in Germany. Instruments in studio: Hammond, Tobias Killer, etc.
Modular Gate's connection with music started to take shape in the year 2000. As time progressed, his interests started gravitating to theworld of dj'ing and production. His goal has been to make qualityunder or overground sounds.The creation of commercial music is not atall his motivation. Both his tracks and mix sets are reflecting his maximalism, which is very massive but melodic. His unique harmonies and builds are quite noticeable in all of his work.With over 130 mixsets broadcasted on Hungarian radio TopFM and having released over 60 albums, mainly in the progressive house, techno & tech-housegenres, furthermore regularly djing in Munich with Dj Budai, Aydan and many other famous Dj,there is no stopping Modular Gate's endless appetite to releasequality dance floor driven sounds.When in the studio he prefers towork alone, however he has made some collaborations with the likes of certain musicians who have inspired him such as : Aaron Drako,Leslie Moor, Joe Drummer, Snorkle. His tracks can be found on many labels worldwide.
Tell me about your project and how I can help, through the 'Contact' button above.
1 Reviews
Endorse ModularGate
Interview with ModularGate
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I worked for a hungarian folk band. These people loved the music heartily and pros and they did not dare. This was the most varied and complex work.
Q: What are you working on at the moment?
A: Now a new lyric has been made. I'm working on the music and I am currently seeking a singer.
Q: Analog or digital and why?
A: It is split. I try to create the perfect emphasis. The sound of a digital compressor will not be like a tubular compressor..but with a little noise. I can tolerate the little noise, but at least it sounds good. Each producer thinks differently.
Q: What's your 'promise' to your clients?
A: They will love what they receive and will return.
Q: What do you like most about your job?
A: Everything
Q: What questions do customers most commonly ask you? What's your answer?
A: When will it be ready? ... If it's perfect.
Q: What's the biggest misconception about what you do?
A: That can be stopped. I will do it for the rest of my life.
Q: What questions do you ask prospective clients?
A: When can I start work?
Q: What advice do you have for a customer looking to hire a provider like you?
A: I'm flexible and accurate. I like to make quality.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Macbookpro, recordingset, a good band, beer for the band, sun cream :)
Q: What was your career path? How long have you been doing this?
A: I run a career on multiple threads. 15 years.
Q: How would you describe your style?
A: Abstract and analog.
Q: Which artist would you like to work with and why?
A: I love every performer who is professional.
Q: Can you share one music production tip?
A: I do not want to :)
Q: What type of music do you usually work on?
A: Mainly electronic music, but I love Blues, Rock, Folk and quality abstract music
Q: What's your strongest skill?
A: Fantasy, dynamics and speed.
Q: What do you bring to a song?
A: Fantasy and how to be cool.
Q: What's your typical work process?
A: Mastering: I'm just multitrack mastering, according to style. Mixing: I usually use a pink tone. And I work a lot on the stereoscopic image. Producing: There is no specific workflow. :) Remixing: I add my own style but I'm trying to keep the author's foundation.
Q: Tell us about your studio setup.
A: My studio is standard with a playroom and a mastering room. You can find in playroom a beautiful instruments. Hammond, Tobias Killer (the original) Marshall and PeaVeay walls with analouge machines. The playroom is full soundproof and low noise. I'm working with shure, akg microphones mainly, but I use sennheiser and EV for a special instruments. In a mastering room. I use an Allen&Heath studio mixer with really analog sound and eq, with a professional focusrite soundcard. I love analog machines (eq, compressor etc.) and I use it. I'm working with MacPro and Pro Tools/Logic. Studio monitors: JBL and AudioPro Tube (rare piece) with JBL sub. The studio is not professional, on medium level with analog sound.
Q: What other musicians or music production professionals inspire you?
A: Sasha, John Digweed, Dj Budai, Pryda, Gotthard, BB King,
Q: Describe the most common type of work you do for your clients.
A: I make electronic music completely in Deep House, Progressive House, Tech-House, Techno, Trance genres. I also make live music with recording, mixing and mastering. I've experience the following styles: Blues, Rock, Folk
I was the producer in this production
- Mastering EngineerAverage price - $50 per song
- Recording StudioAverage price - $200 per day
- Vocal TuningAverage price - $75 per track
- Beat MakerAverage price - $300 per song
- RemixingAverage price - $500 per song
- Ghost ProducerAverage price - $800 per song
- ProducerAverage price - $800 per song
The time of the services varies. Only multitrack mastering.
Mastering, Beat making, Vocal tuning: Up to a week.
Remixing, Ghost producing: Up to three week.
- Pro Tools
- A&H analog mixer
- MacPro
- JBL & ProAudio vintage monitors
- analog machines
