Andy Flebbe on SoundBetter

Mixing and Mastering Engineer with a modern, industry level, radio friendly sound.

I hold a B.S. in Music from the University of Colorado Denver and spent 15 years as Head Engineer at Side 3 Studios in Denver, CO. During that time, I worked with major artists including Ed Sheeran, Lil Wayne, Lizzo, Green Day, Macklemore & Ryan Lewis, Young the Giant, B.O.B., Young Jeezy, Enisa, and many more. I earned a Platinum Record from recording, mixing and mastering "You're a F*****g Bitch Hope You Know That Shit" by Atlus.

I specialize in mixing and mastering Pop, Rock, Hip-Hop, and EDM, delivering a clean, punchy, and professional sound that's ready for radio, streaming, or sync. If you're looking for industry-standard quality that helps your track stand out, you're in the right place.

Contact me through the green button above and let's get to work.

Credits

Endorse Andy Flebbe1 Reviews

by Aviva
Andy has been my mixing and recording engineer for the last 3 years. I refuse to work with any other engineer. Andy is the best in the business - in every respest. His ear - exceeds industry standards. He knows ProTools and recording techniques bette than anyone I know. He is practically my co-producer as his input is not only valid but monumental to my music. Consider yourself lucky with Andy.

Interview with Andy Flebbe

Q: What questions do customers most commonly ask you? What's your answer?
A: How long have you been doing this? 16 years.
Q: What's the biggest misconception about what you do?
A: I'm not going to change the fundamental sound of your song. I has to be good to start with and then I can make it sound polished and finished.
Q: Can you share one music production tip?
A: Keep it simple!
Q: Tell us about your studio setup.
A: I mix entirely in the box.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I earned a platinum record for recording, mixing and mastering "You're a F*****g Bitch Hope You Know That Shit" by the artist Atlus. That was a huge record for my career.
Q: What are you working on at the moment?
A: I work on a daily basis with the artist Atlus.
Q: Analog or digital and why?
A: Both. You need analog for recording, but I prefer to mix digitally.
Q: What's your 'promise' to your clients?
A: I promise to do my best every time.
Q: What do you like most about your job?
A: I love mixing. I enjoy taking someone's artistic creation and polishing it into an industry standard mix that they can be confident in presenting to the world.
Q: What questions do you ask prospective clients?
A: What is your goal with this project? What are you trying to accomplish?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Make sure all of your stems are edited, tuned and time aligned, and free of any unwanted noise/pops/clicks.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: U87, Macbook, 1073, CL1B, NS10s
Q: What was your career path? How long have you been doing this?
A: I hold a B.S. in Music from the University of Colorado Denver and spent 15 years as Head Engineer at Side 3 Studios in Denver, CO. During that time, I worked with major artists including Ed Sheeran, Lil Wayne, Lizzo, Green Day, Macklemore & Ryan Lewis, Young the Giant, B.O.B., Young Jeezy, Enisa, and many more. I earned a Platinum Record from recording, mixing and mastering "You're a F*****g Bitch Hope You Know That Shit" by Atlus.
Q: How would you describe your style?
A: My style is to be quick, loud and effective, providing a polished, radio-ready sound.
Q: Which artist would you like to work with and why?
A: Tool. They're just the best band in the world to me.
Q: What type of music do you usually work on?
A: Pop
Q: What's your strongest skill?
A: Mixing
Q: What do you bring to a song?
A: Clarity, punch, and industry standard quality.
Q: What's your typical work process?
A: The drums have to be working together first and then everything else can build on that. The vocal is almost always the most important element.
Q: What other musicians or music production professionals inspire you?
A: Serban Ghenea, Joe Barresi
Q: Describe the most common type of work you do for your clients.
A: Mixing, Mastering, Editing, Vocal Tuning.

"You're a F*****g Bitch Hope You Know That Shit" by Atlus

I was the Recording, Mixing, Mastering in this production

Mixing EngineerContact for pricing
Recording StudioContact for pricing
Mastering EngineerAverage price - $80 per song
EditingContact for pricing
Vocal TuningContact for pricing
Time alignment - QuantizingContact for pricing

Mixing: Limit of 3 revisions Editing and/or tuning not included in mixing price. Files should be ready for mix on delivery. Mastering: Limit of one revision.