Check my previous works :- Insta Handle sam_wills_wired_masters Spotify Playlist https://tinyurl.com/yyvz88r7 Trusted by the likes of FFRR, Circa 99, Island & Defected, Sam Wills started his career at Wired Masters in early 2012. Sam has built up a reputation for quality masters and quick turn-around times.
Sam Offers full mix downs, stem mastering, stereo mastering & vinyl restoration. He has been the go to engineer for labels such as Defected, Glitterbox, Noir Music, Youth Control, Big Top Amsterdam & Be Yourself for the last 7 years.
Sam specializes in electronic music especially all forms of house & techno but is perfectly happy to work on any project presented to him.
Past album works include Boston Bun, Dr Packer, Dave + Sam, Blaze & Mike Dunn
Sam regularly masters for:-
Universal
Warners Music Group
Entertainment One
Armada
Island
FFRR
Be Yourself (& All Sub Labels)
Defected (& all Sub Labels)
Spinnin’ (& all Sub Labels)
Big Top Amsterdam
Formatik Records
Energy/D-vision
Circa 99
Good Company Records
Get Together Records
Perfect Havoc
+Many More
Insta Handle sam_wills_wired_masters
Spotify Playlist https://open.spotify.com/playlist/7lZl8poOL9OjIrFuhdqUIf
Tell me about your project and how I can help, through the 'Contact' button above.
Credits
- Sam Feldt
- Kings of Tomorrow
- Sandy Rivera
- Luke Solomon
- Eli Escobar
- Raxon
- Noir
- CMC$
- AFRO JACK
- LOW STEPPA
- Sasha
- Anabel Englund
- Armand Van Helden
- Bakermat
- Mike Mago
- Blasterjaxx
- Ferreck Dawn
- Franky Rizardo
- Galactic Marvl
- Jack Eye Jones
- Junior Sanchez
- Kokiri
- Dave Audé
- Masters At Work
- Mike Williams
- Sam Divine
- Sonny Fodera
- tale of us
- Original Dodger
- Noir Music
63 Reviews - 21 Repeat Clients
Endorse Sam Wills
check_circleVerifiedVers professionnel. Super fast turnaround and great industry knowledge - just what I needed. I'd use Sam's services again.
Thanks Sam!
check_circleVerifiedSam always kills it. Best in the game!
check_circleVerifiedawesome work as always
check_circleVerifiedSam is a pleasure to work with, bringing expertise to deliver the polish a track needs. He is very approachable and patient with artist queries. Highly recommended!
check_circleVerifiedExcellent work, precise and very professional!
check_circleVerifiedGreat quality work, quick turnaround, and excellent communication. A pleasure as always.
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Fantastic experience, great comms and better sound. 👊
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awesome work as always. Highly recommend Sam
check_circleVerifiedSam is always great to work with. He nailed down this mix/master on the first try. Such a pro and I am looking forward to working with him again.
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Second time working with Sam and will definitely not be the last! A great engineer who works efficiently
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Great experience working with Sam, will definitely be coming back for more work with him! Was a great communicator and worked quickly.
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Fast and professional job as always with Sam!
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Sam is a breeze to work with. Quick turnaround on great quality masters.
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Great quality mixing/mastering on a quick turnaround, with great communication.
check_circleVerifiedSam is super quick and easy to work with! A breeze.
check_circleVerifiedSam is a true professional and went out of his way to make sure my mix/master turned just how I wanted it. I'll definitely be working with him again.
check_circleVerifiedSam is a legend. Everything he touches sounds great.
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Sam is a master at his craft. Once again outstanding work!
check_circleVerifiedVery pleased again with Sam's work. Great attention to detail, quick turnaround and professional and timely communicator. Highly recommend.
check_circleVerifiedVery professional and helpful. It's been a pleasure working with Sam! Highly recomended working with Him!
Interview with Sam Wills
Q: What's your 'promise' to your clients?
A: I will do everything in my power to get the job done to your specification.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Describe what you want with as much detail as you can from the start, and if you can provide a reference track of something you like and your own self master if you have one. It really helps projects move in the right direction from the outset.
Q: What was your career path? How long have you been doing this?
A: I started DJing when I was 16, decided in my 20's I wanted to do this full time so went to coallage and then on to university. In my second year I managed to persuade the guys at Wired Masters to take me on as an intern, 6 years later I'm still here.
Q: Tell us about your studio setup.
A: Im running the PMC MB2/XBD Active Loudspeakers with Bryston Amps & Crossover. A pair of NS10's which are as useful as everyone says thay are! A Weiss DS1 Digital De-esser/Compressor/LimiterWeiss & Weiss EQ1 Duel 7 Band Digital Parametric Equalizer and a Summit Audio EQP-200B EQ. and that's all going through the Prism Opheus. There is a bunch of other stuff but that's the work horse of the studio.
Q: Analog or digital and why?
A: These days digital, the work process is faster and in turn keeps the cost down of projects.
Q: What do you like most about your job?
A: I listen to new music every day before anyone else (and I get to keep my own hours).
Q: What's the biggest misconception about what you do?
A: Compression fixes everything.
Q: Can you share one music production tip?
A: Dont spend your money on £3000 fancy compressors if you have £400 speakers, put as much as you can into getting your room right, your productions will thank you for it.
Q: What type of music do you usually work on?
A: House, Techno, Edm, Pop/dance Anything with a beat.
Q: What do you bring to a song?
A: Whatever was missing in the first place.
Q: What's your typical work process?
A: It really depends on the project, but first and foremost listen to the track all the way through, sometimes if you focus on one part of the song to begin with you can miss the point of the whole track.
Q: Describe the most common type of work you do for your clients.
A: Full and stem mastering or stereo masters, plus the odd bit of general advise.
I was the Mixing & Mastering Engineer in this production
- Mastering EngineerAverage price - $150 per song
- Mixing EngineerContact for pricing
- Post MixingContact for pricing
- Post EditingContact for pricing
- EditingContact for pricing
- RestorationContact for pricing
- PMC MB2/XBD Active Loudspeakers
- Prism Opheus
- Weiss & Summit Audio Compressors & EQ's
